A “meticulous history” of the classic suspense film based on exclusive interviews with the director, writers, cast, and crew (The New York Times Book Review). First released in June 1960, Psycho altered the landscape of horror films forever. But just as compelling as the movie itself is the story behind it, which has been adapted as a movie starring Anthony Hopkins as Hitchcock, Helen Mirren as his wife Alma Reville, and Scarlett Johansson as Janet Leigh. Stephen Rebello brings to life the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion. Packed with captivating insights from the film’s stars, writers, and crewmembers, Alfred Hitchcock and the Making of Psycho is a riveting and definitive history of a signature Hitchcock cinematic masterpiece.
The innovative cinematography, the unsettling musical score, and the most famous twenty-five seconds in motion picture history - the stabbing scene in the shower at the Bates Motel - have...
In "The Moment of Psycho," film critic David Thomson situates "Psycho" in Alfred Hitchcock's career, recreating the mood and time when the seminal film erupted onto film screens worldwide.
... and instead creates a sense of stasis that can be seen as a part of the feminine stereotypes (darkness, passivity) of the title sequence and its imagery, not to mention the whole Orphic bent of Vertigo's narrative and structure.
Alfred Hitchcock & the Making of Psycho
“I neglected to tell you that there is no director set and I gather from Peter [Newman] that you might have some ideas on this. What would you think of Harold Pinter as director and he could also obviously contribute enormously to a ...
Posters from Hollywood's heyday are presented along with the vastly entertaining stories of their creation. 271 full-color illustrations.
The Albert Hall sequence is perfectly balanced and in fact fulfilled by the episode at the embassy which follows immediately; in Man-1, the concert was followed by an annoyingly anticlimactic shoot-out. Herc, Hank is locked in an ...
The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
Sonny ran through the catalog of acquaintances in his mind, and stopped at Mrs. Shirley B. Payne, a gray-haired, twice-married seventytwo-year-old divorcee who lived across the hall from Mother. He had known Shirley for over three years ...
To most people Psycho needs no introduction, but although Alfred Hitchcock's film was largely faithful to the book, in the novel itself you will find a story more nuanced and - if possible - even darker.