This extraordinary paperback provides a highly accessible and appealing orientation to the American legal system and presents basic concepts of civil litigation to first-year law students. Whose Monet? An Introduction to the American Legal System focuses on a lengthy dispute over the ownership of a painting as a vehicle for introducing students to the basic law school tasks of reading analytically, understanding legal materials, and working with the common law. The author and his colleagues have used these materials successfully in their classrooms for many years, ensuring their teachability and effectiveness: Whose Monet? can be used as primary course material in orientation courses or seminars, as well as collateral reading for in-semester Legal Process or Civil Procedure courses The organization is logical and straightforward and the accessible writing style--lucid, descriptive, and conversational--is ideal for incoming students The major events in a lawsuit are considered, and the text sheds light on how the law is applied in a civil dispute, introducing common law and statutory law and the various courts and their interrelationship (trial/appellate, state/federal) The author draws on judicial opinions, litigation papers, transcripts, and selections from commentators and various jurisprudential sources, thereby exposing the first-year student to as broad a spectrum of materials as possible Telling the story of a real lawsuit (DeWeerth v. Baldinger)--from client intake through trial and various appeals--draws students into the legal process by means of an engaging narrative and makes for a truly enjoying teaching experience for professors The lawyer's role is examined in both its functional and moral dimensions: What do lawyers do? What does society legitimately expect lawyers to do? This book is suitable for both classroom and stand-alone assigned reading
In DeWeerth , the plaintiff was a non - Jewish German woman whose Monet painting had allegedly been stolen by American soldiers at the end of World War II . The Second Circuit , in denying recovery , found her postwar recovery efforts ...
He does persist , but “ I only persist in order to have neither reproaches nor regrets ” ( 1 May 1889 ; L. 970 ) . ... This coloration permits him to resume work upon several canvases , and he looks forward to the “ green ” river of the ...
“Who is this Flower seeds or bulbs Monet whose name sounds just like mine and 1. Cut out several pictures of flowers who is taking advantage of my notoriety?” from magazines. Manet asked before he met Monet. They 2.
MONET'S MAGNIFICENT FAILURE the context Painting together at Chailly during the Easter vacation of 1863 and around ... Rather than feeling envious, Bazille treated Monet as a respected mentor whose professional counsel should be ...
"Le Legs Caillebotte d'après les documents." Bulletin de la Société de ... Related Studies Boyer, Patricia Eckert (éd.). The Nabis and the Parisian ... Journal d'un collectionneur, marchand de tableaux. Paris: Calmann-Levy, 1963.
ing that style whose methods , effects , and popularity lasted through the last quarter of the century and into the ... and we focus on one , Claude Monet , who began to paint sea- and waterscapes early in his life and continued his ...
6rt) trom the 36 Views of Mount Fuji: Monet owned a copy of this, whose damaged condition may suggest that it was one of his earliest Japanese acquisitions.--' A contemporary French precedent may also ...
In his brief comment on Monet in the 1876 article on the Impressionists , Mallarme focuses on his love of water . ... as was often the case with Mallarme and artists , by Morisot , whose Thursday dinners frequently winkled Monet ...
“ Marion , it's Riley Fitzhugh . How's it going ? " “ Riley ! Good to hear from you . I thought you changed your name . " " Only professionally . " “ How's California ? " “ Sunny . " “ So I've heard . Some day , maybe .
weather and light , would also have been supported by the interests of Jongkind , whose instruction he eagerly sought.85 ... 28 ) provides a striking precedent for the tonal poetry of Monet's far better known Impression , Sunrise ...