Roger Ebert wrote the first film review that director Martin Scorsese ever received - for 1967's I Call First, later renamed Who's That Knocking at My Door - creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America's most respected film critic's engagement with the works of America's greatest living director, chronicling every single feature film in Scorsese's considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light. In the course of eleven interviews done over almost forty years, the book also includes Scorsese's own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director's less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema. "Given their career-long back-and-forth, this collection makes perfect sense. In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert's insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself." - Time Out Chicago "Ebert, film critic for the Chicago Sun-Times, is an unabashed fan of Scorsese, whom he considers 'the most gifted director of his generation.' . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work." - Publishers Weekly
As Ebert noted in the introduction to the first collection of those pieces, “They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone.
How many remember that the “lightweight” British interviewer David Frost was the one who finally persuaded Richard Nixon to say he had committed crimes in connection with Watergate and let his country down? With his own money riding on ...
He shares his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell.
“What an amazing coincidence,” Rex Reed said. “I began as a dancer,” Grade said. “I did a double act with my brother, Lord Delfont. I was a natural at the Charleston, but the others I had to finesse. It was called “eccentric dancing.
Interviews with Martin Scorsese, Steven Spielberg, and George Lucas reveal the personal visions of three of America's best and most innovative directors.
“How do you pick that, Shea?” Lilliam Rivera says, laughing nervously. any event: “The number three pick is when Joe Pesci was 'funny like a clown' in Goodfellas,” Serrano says. “Joe Pesci again”— In he was previously featured in a ...
(Directed by Ray Danton; starring Robert Quarry; 1972) In the good old days when Roger Corman was producing about two dozen exploitation movies a year for American-International, he had this interesting way of getting the most for his ...
Other Books by Roger Ebert An Illini Century: One Hundred Years of Campus Life A Kiss Is Still a Kiss Two Weeks in the ... Roger Ebert's Video Companion (annually 1994–1998) Roger Ebert's Movie Yearbook (annually 1999–2007, 2009–2012) ...
It is as though movies answered an ancient quest for the common unconscious. They fulfill a spiritual need that people have to share a common memory.1 Thus concludes A Personal Journey with Martin Scorsese Through American Movies (1995) ...
Marc Raymond is Lecturer at the International Language Center at Gachon University in Seongnam, South Korea.