Volume 4 of the journal Glossator: Practice and Theory of the Commentary. Occitan Poetry. Edited by Anna K osowska and Valerie Wilhite. CONTENTS Valerie M. Wilhite A/ESPIRAR: THE LOST SIGH OF THE TROUBADOUR TRADITION Anna K osowska INTRODUCTION Cary Howie INEXTRICABLE Bill Burgwinkle RHETORIC AND ETHICS IN SORDELLO'S "ENSENHAMEN D'ONOR" Isabel de Riquier & Andreu Comas FAMILY MATTERS Miriam Cabre WHO ARE CERVERI'S WORST ENEMIES? Simone Marchesi DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Huw Grange A MUSICO-LITERARY COMMENTARY ON BERNART DE VENTADORN'S "QUAN VEI LA LAUDETA MOVER" Marion Coderch "LO ROSSINHOLS S'ESBAUDEYA" (70, 29): BERNART DE VENTADORN, COURTLY ETHICS, AND THE CATALAN TRADITION Luke Sunderland MARCABRU IN MOTION: "DIRE VOS VUOILL SES DUPTANSSA" IN CHANSONNIERS A AND C, AND IN MATFRE ERMENGAUD'S BREVIARI D'AMOR Wendy Pfeffer THE PASSION OF OCCITAN Virginie Greene SUITE PROVENCALE FOR OCARINA, TRIANGLE, AND POWERPOINT Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG"
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early ...
By the seventh verse, the text wholly shifts into a penitential mode, a mode of miser, asking “O then, poor I! What shall I do? ... While it opens with great spectacle, the Dies iræ is really a song ofdespair. Despair is distinct from ...
O. D. Macrae Gibson points out that the function of pyȝt as a concatenating word stresses its capacity to mean both arrayed and set.8 Gordon glosses the word as varying in sense throughout the poem between “set,” “fixed,” and “adorned” ...
59 Cantrell and Edwards, 1970; p vii. This is especially so in light of earlier research, initiated. Fig. 3. Prynne, Plant time metric, “& Hoc Genus Omne,” Bean News[1972;p2]. Fid. 66 Richardson, “Diagrammatic illustration of ...
... a mirror of divinity” (as epigraph, Hildegard 1998).1 The symphonies of celestial harmony, then, are symphonies of the mirror of divinity. If the symphony provides something like an image, however indirectly, the songs must mirror ...
But the lower ratio made it possible for people with more limited means to own gold and thus made the acceptance of Arab conquest easier. Money was taxed: 20% went to “God” i.e. to the state administration. As Michael Coyle shows, ...
IV Glossator 2: This glossator is not mentioned by Best or Binchy. He appears only once in the gloss under the text on manuscript page 53a5 (= S 1 gloss 3).” The ink is much darker and looks a bit watery in comparison with that of ...
The first English translation of a comprehensive legal history of Europe from the early middle ages to the twentieth century, encompassing both the common aspects and the original developments of different countries.