ÊIf we wish to understand Argentina, we must begin first of all by familiarizing ourselves with one pivotal sentiment that has permeated and controlled every aspect of Argentine life and development since colonial days. This sentiment is an exalted and haughty patriotism, so intense, indeed, that the tone with which an Argentine says ÒSoy argentinoÓ, is no whit less assertive and proud than that in which citizens of ancient Rome were wont to say ÒCivis Romanus sumÓ. Whatever the origin of this sentiment, the evidences of it are irrefutable. Argentina has to-day about nine million inhabitants: of these, fully two thirds are of recent foreign origin, mainly Italian and Spanish, and to a much smaller extent, English, French, and German. Argentina, in other words, has relatively a much larger population of recent foreign extraction than the United States. Nevertheless, the hyphen does not exist in Argentina; and the terms Italo-Argentine, Hispano-Argentine, Franco-Argentine, etc., are entirely unknown. The jealous and uncompromising patriotism of the Argentine makes hyphenated national designations impossible. If we turn from the evidence of purely popular sentiment to the more sober and more controlled evidence of literature, we find the same thing. Take away from the literature of Argentina the theme of patriotism, and you have taken away its most distinctive and its greatest life-giving element. It has been said, and justly, that the Italian literature of the nineteenth century centered entirely about the theme of Italian unification, voicing during the first half of the century the aspirations of her great men for a united Italy, and during the second half intoning the p¾an of joy at the accomplishment of those aspirations. The same may be said of Argentine literature. The names of the great leaders of her immortal Revolution, both against the mother country and later against the internal caudillo tyrantsÑthe most important of whom was RosasÑand the deeds that they performed, recur again and again through the pages of her men of letters, whatever be the form of literature they engage in, narrative, dramatic, or poetic.
... to the Falklands.56 But neither his position nor Jackson's was precisely consistent with that of Edward Livingston, ... United States.59 Jacksonian Diplomacy on Paper The charge d'affaires selected by President Jackson to undertake ...
Driven to near madness, his mind cannot be taken away: imagination, stories, and the mystical secrets of the human spirit. Praise for Imagining Argentina “A harrowing, brilliant novel.”—The New Yorker “A powerful new novel . . .
... March 8, 2004; Joshua Goodman, “Crying Poor Won't Work Anymore,” Business Week, May 10, 2004; Daniel Helft, ... 2004; Michael Casey and Michael M. Phillips, “IMF, Argentina Go to the Brink in Debt Talks,” Wall Street Journal, ...
In this work of superior scholarship, Robben analyzes the historical dynamic through which Argentina became entangled in a web of violence spun out of repeated traumatization of political adversaries.
"Imagining Argentina is set in the dark days of the late 1970's, when thousands of Argentineans disappeared without a trace into the general's prison cells and torture chambers. When Carlos...
Provides an overview of the history of Argentina spanning 12,000 years, focusing on key events and cultural patterns, and examining the economic and political challenges facing the country today.
Aline Helg, “Race in Argentina and Cuba, 1880–1930: Theory, Policies, and Popular Reaction,” in The Idea of Race in Latin America, 1870–1940, ed. Richard Graham (Austin: University of Texas Press, 1990), 37–70; Mónica Quijada, ...
Splendid and indispensable!"--Ariel Dorfman
The story Argentina: The Beautiful Land is a fictional story of family, love, conflicts, and challenges beginning in the early 1980s, using the then-coming war between Argentina and Great Britain concerning ownership of the Falkland Islands ...
"Describes the geography, history, economy, and culture of Argentina in a question-and-answer format"--Provided by publisher.