I thank God for the power and knowledge that he have given me to write these plays through His grace and honor it allows me to get the opportunity to minister "The Word of God" to non-believers as well as believers. I truly believe that thru my plays a message is sent,but most of all received. My prayer is that someone's life is change or delivered through watching or performing in these plays. To share with others how powerful God is and that it is a reality in serving a true and living God. How God can change the hearts and minds of people. These plays are to inspire others to do the right thing to help others when needed, be careful what you say (watch your tongue) and personal you can determine where you will spend eternity.
With this volume, they are available for study and perusal by Professors, Scholars, and Students, Actors, Directors, Producers and others ready to settle down into a fine drama and experience life through someone else's courageous and ...
The Son is not simply the Word that God speaks into human history but the Word that was with God from the beginning. The perfect life of God is an eternal fellowship of Father, Son, and Spirit: a mutual admiration society, a communion.
A about the life of the faith healer Francis Hardy as monologued through the shifting memories of Hardy, his wife, Grace, and stage manager, Teddy.
Langston Hughes, Folk Dramatist in the Protest Tradition, 1921–1943. Westport, CT: Greenwood Press, 1997. Meier, Joyce. ... Moran, Jeffrey P. “Reading Race into the Scopes Trial: African American Elites, Science, and Fundamentalism.
This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue between theology and theatre.
The approach of this book is to make relgious instruction fun, spontaneous and deeply spiritual. Godly Play is a practical yet innovative approach to religious education--becoming childlike in order to teach children.
This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism.
Thomas documents the lives, struggles, and triumphs of the players and coaches of Faith Christian School in Grapevine, Texas, following the team for a full season to record a story that is sure to inspire readers to understand that ...
But then he goes beyond that, and mines the plays themselves, not just for the words of the characters, but for the concepts, themes and language which Shakespeare was himself steeped in - the language of the Bible and the Book of Common ...
This is a book of original plays about various life circumstances that deal with faith in God. The subjects range from the faith of the people that created the negro spiritual to the faith of women in the Bible and history.