The forced relocation of fifteen thousand Cherokee to Oklahoma nearly two centuries ago left them in a foreign landscape. Coping with loss and new economic challenges, the Cherokee united under a new constitution and exploited the Victorian affinity for decorative crafts. Cherokee women had always created patterned baskets for everyday use and trade, and soon their practical work became lucrative items of beauty. Adapting the tradition to the new land, the industrious weavers transformed Oklahoma's vast natural resources into art that aided their survival. The Civil War found the Cherokee again in jeopardy, but resilient, they persevered and still thrive today. Author and Cherokee citizen Karen Coody Cooper presents the story of this beautiful legacy.
Discusses the Cherokee Indians, focusing on their tradition of weaving baskets. Includes a cookie recipe and instructions for playing a game and making a mat.
Weaving the Oklahoma Cherokee Double Wall Basket
This time she requested that Stamper learn to make a doubleweave rivercane basket, a tradition known only to a few Cherokee basket weavers. In 1920, when Frank Speck penned his observations about Cherokee basketry, he concluded that the ...
D. , under the National Society of the Colonial Dames of America , Tennessee . New York : Promontory Press . ( Orig . pub . 1775. ) ... “ Catalogue Raisonne ” In Archuleta and Strickland 1991 , 71-102 . Archuleta , Margaret , and Rennard ...
Accompanying a museum exhibition of the same name, Rooted, revived, reinvented illustrates how the processes of industrialization changed the audiences, materials, and uses for basketry.
KAREN COODY COOPER retired from the Smithsonian's National Museum of the American Indian and has written Cherokee Wampum, Spirited Encounters and Oklahoma Cherokee Baskets. She also creates contemporary wampum weavings.
The Work of Tribal Hands: Southeastern Indian Split Cane Basketry
Ephram Humphry is a man with a dream of owning his own business.
Stories in this book reflect how history has woven itself into the fabric of the present. The stories are intimate and told by the artists, by family members, by friends in their own words.
A proud Cherokee girl lives in two worlds.