The period known as the long nineteenth century, stretching between the cataclysmic events of the French Revolution and World War I, was one of radical transformations in technology, education, and global politics for England. William Wordsworth, as one of the defining voices of the Romantic era, wrestled with issues of modernity emerging from a culture hopeful for progress yet anxious about the legacy of the past. For readers who saw their world in constant flux, Wordsworth offered the poetic consolation that the material and natural worlds could be understood through contemplation. This catalog documents the exhibition Lyric Impressions: Wordsworth in the Long Nineteenth Century, inspired by the William Wordsworth Collection at the University of North Carolina at Chapel Hill's Rare Book Collection in Wilson Library. The Wordsworth Collection comprises nearly comprehensive lifetime editions of the poet's writings and numerous and varied print editions of his work into the twentieth century. Its core is the 1,700 volumes assembled by Wordsworth scholar and UNC Professor Emeritus, Mark L. Reed, III in the course of compiling A Bibliography of William Wordsworth, 1787-1930 (Cambridge, 2013). Arranged alongside related materials drawn from across the Rare Book Collection, these diverse Wordsworth volumes illuminate the physical and cultural landscape of England in the nineteenth century, highlighting the conditions that precipitated Romantic literature and have ensured its enduring popularity.
Daydreams: 6 Lyric Impressions for Piano
... as is still the case in certain pictures (Lyric, Impressions III “Concert”) posterior to the 1910 First Abstract Work ... Nonetheless, everything suggests the impression(whichI do not want to verify by genetic dataforthe moment) ...
169 Gordon Ball Lyric Impression, Muscle Memory, Emily, and the Jack of Hearts 180 Claudia Emerson Don Khan and Truck-Driving Wives: Dylan's Fluctuating Lyrics 186 Ben Yagoda Thoughts on “Me and Bobby McGee” and the Oral and Literary ...
Brocklehurst is modeled on the Reverend William Carus Wilson , the proprietor of the Clergy Daughters ' School which Emily Brontë attended with her sisters in 1824 and 1825 , when she was seven years old . The real Carus Wilson was ...
We would not even permit ideas, so greatly had we come to distrust them, to leave their impressions upon our senses. ... even those poems which did manage to convey a lyric “impression of a single idea” seemed “accidental,” so much had ...
Smith, Sidonie, and Julia Watson. "Introduction: Situating Subjectivity in Women's Autobiographical Practices." In Women, Autobiography, Theory: A Reader, ed. Sidonie Smith and Julia Watson, 3-52. Madison: University of Wisconsin Press, ...