The 1830s forced removal of Cherokees from their southeastern homeland became the most famous event in the Indian history of the American South, an episode taken to exemplify a broader experience of injustice suffered by Native peoples. In this book, Andrew Denson explores the public memory of Cherokee removal through an examination of memorials, historic sites, and tourist attractions dating from the early twentieth century to the present. White southerners, Denson argues, embraced the Trail of Tears as a story of Indian disappearance. Commemorating Cherokee removal affirmed white possession of southern places, while granting them the moral satisfaction of acknowledging past wrongs. During segregation and the struggle over black civil rights, removal memorials reinforced whites' authority to define the South's past and present. Cherokees, however, proved capable of repossessing the removal memory, using it for their own purposes during a time of crucial transformation in tribal politics and U.S. Indian policy. In considering these representations of removal, Denson brings commemoration of the Indian past into the broader discussion of race and memory in the South.
In this book, Andrew Denson explores the public memory of Cherokee removal through an examination of memorials, historic sites, and tourist attractions dating from the early twentieth century to the present.
Bringing together international, multidisciplinary approaches, the chapters in this volume interrogate the ways in which memorial constructions disclose implicitly and explicitly the proxy battle for public memory and identity, particularly ...
... Monuments and Memory: Made and Unmade, eds. Robert S. Nelson et al. (Chicago and London: University of Chicago Press, 2003), 2. Young, “The Texture of Memory,” 178. 12 13 Rather, monuments are actively or self-consciously positioned vis ...
Representation of the negative space of the World Trade Center towers.
North American Genocide and the Holocaust in Public Memory Gideon Mailer. through the twentieth century. Since Sherman Alexie composed his poem, to be sure, a National Museum of the American Indian (NMAI) opened in Washington, D.C., ...
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Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which ...
As the world negotiates immense loss and questions of how to memorialize, the contributions in this volume evaluate the role of culture as a means to promote reconciliation, either between formerly warring parties, perpetrators and ...
"This book is situated within the terrain of intense debate over the placement and displacement of monuments to difficult histories.
... Monuments whose mandate was to receive petitions to designate property of 'cultural ... monuments; the absence of statelevel legislation.