This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic designs, oratory, and ceremonial practices. Brown shows that distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I. Brown provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.
Despite this progress, powerful conservatives in Congress weaponized the federal tax code to undercut the important work of the VEP.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and ... Bisher, Catherine W. “Landmarks of Power: Building a Southern Past in Raleigh and Wilmington, North Carolina, 1885–1915.” In Where These Memories Grow: History, ...
Confederate Monuments and the Ongoing Fight for Racial Justice Karen L. Cox ... who repeatedly defied the court order allowing Meredith to register, and the young Kennedy administration, determined to enforce that order.
How do contemporary neo-Confederates simultaneously cling to the symbols and narratives that tether the Confederacy to histories of racism and oppression in the United States while distancing themselves from these histories.
... Gilbert Hotchkiss, an “ill- informed emissary of race hatred and sectional prejudice” whose plans to destroy the ... thinking freedman who avers spiritedly that “[w]hen my marster tu'ns his back on me I”ll tu'n my back on him.
Stormy Petrel: N. G. Gonzales and His State. Columbia: University of South Carolina Press, 1973. Kantrowitz, Stephen. Ben Tillman and the Reconstruction of White Supremacy. Chapel Hill: University of North Carolina Press, 2000. Keneally ...
This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities.
Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Makeda Best ... In Views and Viewmakers of Urban America, urban studies historian John Reps writes about the ubiquity of the lithographic city view.
Francisco, Rutherford's pioneer woman wears a widebrimmed sunbonnet, prairie gown, and apron. ... By casting seed broadcast into soil, presumably prepared by her (unseen) frontiersman husband using a team of horses and steel equipment, ...
For background on and excerpts from that convention, see William Yates, Rights of Colored Men to Suffrage, Citizenship, and Trial by Jury: Being a Book of Facts, Arguments and Authorities, Historical Notices and Sketches of Debates—with ...