Examining works by Rabindranath Tagore, Mulk Raj Anand, and Vikram Seth through the lens of T.W. Adorno's poetics of lateness, Tania Roy reads the category of late style in terms of the "belated" literatures and cultures of the postcolonial world. When does artistic or literary failure become the measure of a work's accomplishment? How do we experience the present, when our most urgent ethical and political questions are staged through a text's inability to speak on time? And what sort of liberation is envisioned by works that refuse the imperative of "progress" and instead embrace the appearance of obsolescence by rejecting values of artistic creativity, originality and innovation? These are just some of the provocations that arise from Adorno's idea of an aesthetic late style. By linking this key concept in Adorno's work with the postcolonial experience as represented in works of mid- to late-twentieth-century modernism in India, Roy takes up the uncertain status and future of the field of postcolonial studies today and reflects on how its apparent redundancy in the context of globalization has been alternately confirmed and lamented over the past 15 years.
Few would disagree that the decisive institutionalisation of postcolonial studies within this period corresponded with the “high phase” of postcolonial theory, so much so that until recently, the field was nearly synonymous with the ...
Forging a passionate alliance with the working artist in India, while pushing at the limits and possibilities of language ... For Said, following Adorno, late style characterizes the mature phase of a creative career but not as harmony, ...
... Theodor Adorno's conceptions of late-style for a discussion of Indian modernism in, and after, the twentieth century. She has articles published or forthcoming on aesthetics and political violence in India with historical reference ...
If we consider the problem of modernism as it advances in late modernity, Adorno's formulations about Beethoven's late work illustrate the overall parallels between the development of art and the contradictions of society.
By the author of Adorno's Aesthetics of Music. This book consists of four sections: critical theory and music; Adorno's aesthetics of modernism; Adorno, popular music and mass culture; and critical...
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of...
The Modern Novel Adorno, Theodor. 'Perennial Fashion—Jazz,' Prisms, Samuel and Shirley Weber (trans.). Cambridge MA: MIT Press, 1981. Ayers, David. ... Late Modernism: Politics, Fiction, and the Arts Between the World Wars.
The five interlocked essays, based on material from Adorno's "aesthetic writings," take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature ...
Reading James's fiction chronologically reveals a growing sophistication in the use of narrative point of view whereby the story becomes a play 'of seeing and unseen, of knowledge and ignorance' (Brooks, 2–3). Thus, despite his initial ...
Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring...