This New Mermaids anthology brings together the four most popular and widely studied of Christopher Marlowe's plays: Tamburlaine, Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus. The new introduction by Brian Gibbons explores the plays in the context of early modern theatre, culture and politics, as well as examining their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
This New Mermaids anthology brings together the four most popular and widely studied of Christopher Marlowe's plays: Tamburlaine, Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus.
On Marlowe's radicalism, see for example Jonathan Dollimore, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries, 3rd edn (Durham, NC: Duke University Press, 2004), 109–19.
This student edition is based on the earlier so-called A-text of the play, with the B-text scenes included in an appendix.
The Tragical History of the Life and Death of Doctor Faustus
This student edition contains a lengthy Introduction with background on the author, date and sources, theme, critical interpretation and stage history, as well as a fully annotated version of the playtext in modern spelling.
Cheney, Patrick, “Love and Magic in Doctor Faustus: Marlowe's Indictment of Spenserian Idealism.” Mosaic 17.4 (Fall 1984): 93–109 ... Cole, Douglas, Suffering and Evil in the Plays of Christopher Marlowe. Princeton: Princeton University ...
One of the glories of Elizabethan drama: Marlowe's powerful retelling of the story of the learned German doctor who sells his soul to the devil in exchange for knowledge and power.
Their texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. This edition includes all of Marlowe's plays, including two versions of Doctor Faustus.
Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic.
This work is concerned with the evaluation of rhetoric as an essential aspect of Renaissance sensibility.