In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day.
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
It is also probable that some of the subtlest of the other Oriental glazes, such as the Chinese peach-bloom, gain their effect from the way in which complex glaze ingredients, perhaps derived from other natural stones, were ground to ...
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture.
Book 1 of the series covers three major clay discoveries during prehistoric times between 30,000 and 9,000 BC.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
Packed with works that are questioning and provocative, disturbing and seductive, this is an exciting overview of a booming field.
See legislation Taylor, E. D., 297 Taylor, Francis Henry, 92 Taylor, Spaulding, 252 Taylor, Wayne, 194 Taylor & Ng (gallery), ... 325 Trapp, Kenneth R., 369 n.13 Traynor, Ed, 144, 188,211, 212 Trey, Marianne de, 76 Troy, Jack, 169, 270, ...
Traces the history of Western art from its classical roots up to the present day, and integrates the works of each period with the history, values, and ideals that gave birth to them
Dr. Satyawadi S Book Is The First-Ever Study Of Painted Pottery Motifs Of The Indian Subcontinent (Earliest Times To 1750 Bc). It Explores The Genesis And Development Of Popular Forms And Classifies Art Motifs Into Their Different Genres.