In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day.
Georgian history has been profoundly affected by the country's espousal of Christianity in the fourth century AD.During its 'Golden Age' from the eleventh to thirteenth centuries it was a world...
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
... 101, 189; and jewelry, 273 Pearson, Ralph M., 103, 165 Pearson, Ronald Hayes: and metalsmithing, 215, 271–72, 343; ... and Clay, 222; and John Mason, 230 Peters Valley Craft Education Center, 378 Peto, John Frederick, 323 Petterson, ...
Book 1 of the series covers three major clay discoveries during prehistoric times between 30,000 and 9,000 BC.
Artists are increasingly interested in producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible. In Sustainable Ceramics, pioneer Robert Harrison draws...
This comprehensive book includes an easy guide on how to create basic forms, as well as glazing and firing techniques.
Drawn from the collection of the Los Angeles County Museum of Art, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 accompanies a major touring exhibition on the history of...
Hedgecoe, John, and Salma Samar Damluji. Zillij: The Art of Moroccan Ceramics. Reading, UK: Garnet, 1992. Heimann, Robert B., and Marino Maggetti. Ancient and Historical Ceramics: Materials, Technology, Art, and Culinary Traditions.
Potters long ago left behind the notion that pots must be purely useful or merely pleasant everyday objects.