Was Shakespeare really the original genius he has appeared to be since the eighteenth century, a poet whose words came from nature itself? The contributors to this volume propose that Shakespeare was not the poet of nature, but rather that he is a genius of rewriting and re-creation, someone able to generate a new language and new ways of seeing the world by orchestrating existing social and literary vocabularies. Each chapter in the volume begins with a key word or phrase from Shakespeare and builds toward a broader consideration of the social, poetic, and theatrical dimensions of his language. The chapters capture well the richness of Shakespeare's world of words by including discussions of biblical language, Latinity, philosophy of language and subjectivity, languages of commerce, criminality, history, and education, the gestural vocabulary of performance, as well as accounts of verbal modality and Shakespeare's metrics. An Afterword outlines a number of other important languages in Shakespeare, including those of law, news, and natural philosophy.
1 fresh, recent, new RJ IV.iii.42 [Juliet alone, of the tomb] Where bloody Tybalt, yet but green in earth, / Lies festering; Ham I.ii.2; 2H4 II.i.95; H5 V.i.40; 2H6 III.i.287; TS IV.v.47 2 youthful, inexperienced, immature AC I.v.74 ...
Focusing on the most memorable scenes of insult, abusive characters and insulting effects in the plays, the volume shifts how readers understand and read Shakespeare's insults.
A definitive dictionary of pronunciation for all the words Shakespeare used in his plays, it lists each entry using two different guides to pronunciation (for accessibility to those without a...
When Jane Sutcliffe sets out to write a book about William Shakespeare and the Globe Theatre, in her own words, she runs into a problem: Will's words keep popping up all over the place!
In this original experiment in critical semantics, Roland Greene considers how these five words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other ...
Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration.
Do you ever find yourself reading Shakespeare and are completely lost because of words like Obeisance and Quiddity? This dictionary contains over 4500 Shakespearean words and their definition.
The first book ever to focus on Shakespeare's coinages.- Covers terms and meanings still used today- Includes quizzes on Shakespearean trivia- A must for Bardophiles everywhere!
This book provides the pronunciation of every character name, geographic location, mythological reference, and any unfamiliar word in all of Shakespeare's thirty-seven plays.
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