Contemporary Women Stage Directors opens the door into the minds of 27 prolific female theatre directors, allowing you to explore their experience, wisdom and knowledge. Directors give insight into their diverse approaches to the key challenges of directing theatre, including choosing projects, engaging with scripts, conceptualizing visual and acoustic production elements, collaborating with actors and production teams, building their careers, and navigating challenges and opportunities posed by gender, race and ethnicity. The directors featured include Maria Aberg, May Adrales, Sarah Benson, Karin Coonrod, Rachel Chavkin, Lear deBessonet, Nadia Fall, Vicky Featherstone, Polly Findlay, Leah Gardiner, Anne Kauffman, Lucy Kerbel, Young Jean Lee, Patricia McGregor, Blanche McIntyre, Paulette Randall, Diane Rodriguez, Indhu Rubasingham, KJ Sanchez, Tina Satter, Kimberly Senior, Roxana Silbert, Leigh Silverman, Caroline Steinbeis, Liesl Tommy, Lyndsey Turner, and Erica Whyman. These women are making profoundly exciting theatre in some of the most influential organizations across the English-speaking world-from Broadway to the West End, from the National Theatre in London to Center Theatre Group in Los Angeles. As generally mid-career professionals, they are informed by both their hard-earned expertise and their forward-looking energy. They offer astute observations about the current state of the art form, as well as inspiring visions of what theatre can accomplish in the decades to come.
Consists of interviews with 27 female professional theatre directors in the United Kingdom and United States.
George, “Ms. Carroll Brings Black Richness to the Nelson. Stage,” New York Amsterdam News, March 5, 1977, D9. Gussow, Mel.“The Year's Best:Stage View; Civilization andSavagery Collide in Metaphor.” NewYork Times, December24, 1989, ...
I don't mean simply physically, it's just to be an ugly person. So, I think the collaborative instinct could be interpreted as manipulative to some extent, but it comes from a life of wanting to share, an apparent sharing of authority.
The Great European Stage Directors, Vol. 5, London: Methuen Drama, pp. 145–202. ... International Women Stage Directors, Urbana, Chicago, and Springfield: University of Illinois Press, pp. 148– 160. Manfull, Helen (1999) Taking Stage: ...
This book traces the history of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood, from the modern to the contemporary period and their manifestation in Japanese women's theatrical and ...
In Her Voice is the first book that takes the words and experiences of a diverse group of celebrated women film directors and puts their voices front and center.
Good luck” (1972, 379). Sources Barranger, Milly S. 1994. Margaret Webster: A Bio-Bibliography. Westport, Conn.: Greenwood. ———. 2004. Margaret Webster: A Life in the Theater. Ann Arbor: University of Michigan Press. Brown, John Mason.
As the first examination of women's foremost contributions to Jerzy Grotowski's cross-cultural investigation of performance, this book complements and broadens existing literature by offering a more diverse and inclusive re-assessment of ...
Written by one of the most adventurous and respected directors working today, this book will be an essential item in every student and practitioner’s kitbag.
The Bodies of Others explores the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances on American stages.