This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries. Key attractions of the book are analyses of:*The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.*The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.*The protagonists and heroes of the genre, in particular the figure of the female knight-errant.*The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).
Addressed in the volume is the groundbreaking martial arts swordplay film that achieves global success-Ang Lee's Crouching Tiger, Hidden Dragon- and its revelations about Hollywood representations of Asians, as well as concepts of male and ...
Key attractions of the book are analyses of:* The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the ...
An exemplar of critical genre study, this book represents a significant contribution to the discipline.” —Yvonne Tasker, professor of film studies and dean of the Faculty of Arts and Humanities, University of East Anglia
For the purpose of this volume, we are less concerned with martial arts as embodied knowledge or practice than we are with narrative and aesthetic formations in which martial arts appear as a generic trope, a fabric, a topic, a sign, ...
From the ancient Peking Opera origins to its superhero-powered future, Ric Meyers reveals the loony, the legendary, and everything in between.
The book traces the background of the craze in the longer development of Hong Kong’s martial arts cinema.
The transnational history and cultural politics of the Shaw Brothers' movie empire
Lau prefigures the severe test of defeating Bai Mei in a scene showing Hong Xiguan forcing apart his bride ' s legs on his wedding night . His wife , Yongchun , is also a skilled kung fu artist specialising in the crane ...
This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral ...
connection between the legend of yu'enu' jian and Gou Jian's struggle to repossess his country, anthropologists have ... Xiang Yu's uncle, Xiang B0 (?-192 B. C.), divulged the plan of the banquet in Hongmen to Zhang Liang (?186 BC), ...