Just as a work of self-reflexive 'metafiction' - and the experience of reading it - differ from other types of literature, the work and the experience of viewing films that adapt metafiction are distinct from those of other films, and from other film adaptations of literary works. This book explores the adaptation of children's metafictions, including works such as Inkheart, The Invention of Hugo Cabret and the Harry Potter series. Not only are the plot devices of books and reading explored on screen in these adaptations, but so is the nature of transmedial adaptation itself - the act of representing one work of art in another medium. Analysing the 'work' done by children's metafiction and the experience of reading it, Casie E. Hermansson situates the adaptations of these types of books to film within contemporary adaptation criticism.
From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World ...
Provides information about movies, chronicling their history from the early moving pictures to today; detailing how stunts and screen writing are done; and profiling famous actors, producers, and directors.
From Lauren Child, multi-award-winning, bestselling creator of Charlie and Lola, comes this touchingly funny tale of being GOOD, being BAD, and most importantly, being YOU! Chirton Krauss is a good child -- the very goodest.
Candlewick Press, 2012. Reese, Jenn. Horizon. Candlewick Press, 2014. Reese, Jenn. Mirage. Candlewick Press, 2013. Spencer, Leland G. “Performing Transgender Identity in The Little Mermaid: From Andersen to Disney.
Star Wars– sword and sorcery upas science dressed fiction and itself highlyindebted to Tolkien –hadbriefly inspireda ... and Red Sonya (1985) were high camp mixtures of pulp, comicstrip violence,and thepeplum (Italian sword andsandal ...
Puffin Classics: the definitive collection of timeless stories, for every child. Tom tucked a blanket round him, drew up a chair by the fire and watched Willie fall asleep. The tales he had heard about evacuees didn't seem to fit Willie.
This book will help grownups and kids better understand school shootings and encourage us to be prepared while reminding us that we should never let the fear of the what ifs take over our lives.
From classic film devotee Jennifer Churchill comes a new history of classic movies ... for kids!
Children's Literature, vol. 41, 2013, pp. 57–90. Sanders, Julie. Adaptation and Appropriation. Routledge, 2006. Schuhmann, Elizabeth C. “Shift Out of First: Third-Person Narration Has Advantages.” Two Decades of the ALAN Review, ...
This volume explores film and television for children and youth.