After discovering a derelict record plant on the edge of a northern English city, and hearing that it was once visited by David Bowie, Karl Whitney embarks upon a journey to explore the industrial cities of British pop music. Manchester, Liverpool, Newcastle, Leeds, Sheffield, Hull, Glasgow, Belfast, Birmingham, Coventry, Bristol: at various points in the past these cities have all had distinctive and highly identifiable sounds. But how did this happen? What circumstances enabled those sounds to emerge? How did each particular city - its history, its physical form, its accent - influence its music? How were these cities and their music different from each other? And what did they have in common? Hit Factories tells the story of British pop through the cities that shaped it, tracking down the places where music was performed, recorded and sold, and the people - the performers, entrepreneurs, songwriters, producers and fans - who made it all happen. From the venues and recording studios that occupied disused cinemas, churches and abandoned factories to the terraced houses and back rooms of pubs where bands first rehearsed, the terrain of British pop can be retraced with a map in hand and a head filled with music and its many myths.
“We all got in the control room, and Aaron played the demo,” Kojak goes on. “It wasn't even ten seconds before Cubana Lust broke out cackling, 'Yo! Ain't no niggaz gonna fuck wid dat shit! Hahahahahay'all tripppppin! Fuck deez niggaz!
The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked.
I was involved in a dual role, partly insider and partly outsider, as I was there as an objective ethnographic researcher but had also been active in the planning discussions and the development of the overall Hyper-Production project ...
Featuring revealing interviews with the members of AC/DC and other chart-topping acts, this chronicle profiles the careers of Australia’s top songwriters, producers, and star-makers: Harry Vanda and George Young.
... hit. Factories and businesses are closing, leaving millions without income. In Glasgow, only 50% of people still have a job. But London, again, appears unfazed by the economic slump. While the rest of Britain suffers mass unemployment ...
From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat and survive in this story of our fragile, absurd, heroic species. Praise for Lucky Us “Lucky Us is a remarkable accomplishment.
In his Introduction to this new edition, Russ Castronovo highlights the aesthetic concerns that were central to Sinclair's aspirations, examining the relationship between history and historical fiction, and between the documentary impulse ...