The motivation underlying our development of a "handbook" of creativity was different from what usually is described by editors of other such volumes. Our sense that a handbook was needed sprang not from a deluge of highly erudite studies calling out for organization, nor did it stem from a belief that the field had become so fully articulated that such a book was necessary to provide summation and reference. Instead, this handbook was conceptualized as an attempt to provide structure and organization for a field of study that, from our perspective, had come to be a large-scale example of a "degenerating" research program (see Brown, Chapter 1). The handbook grew out of a series of discussions that spanned several years. At the heart of most of our interactions was a profound unhappiness with the state of research on creativity. Our consensus was that the number of "good" works published on creativity each year was small and growing smaller. Further, we could not point to a journal, text, or professional organization that was providing leadership for the field in shaping a scientifically sound framework for the development of research programs in creativity. At the same time, we were casting about for a means of honoring a dear friend, E. Paul Torrance. Our decision was that we might best be able to honor Paul and influence research on creativity by developing a handbook designed to challenge traditional perspectives while offering research agendas based on contemporary psychological views.
... long-time collaborator are engaged in preparing a book entitled Preventing Talent Loss: Theory into Practice that ... in the current chapter, and it will indicate ways in which this model can contribute to preventing talent loss.
The revolution that wasn't: A new interpretation of the origin of modern human behavior. ... The prehistory of the mind: The cognitive origins of art and science. ... Explaining creativity: The science of human innovation.
Personality traits in twins. In G. Claridge, S. Canter, & W. I. Hume (Eds.), Personality Differences and Biological Variations (pp. 21–51). New York: Pergamon. Carlsson, I. (1990). Lateralization of defense mechanisms related to ...
It is well known that George Eliot's intelligence and her wide knowledge of literature, history, philosophy and religion shaped her fiction, but until now no study has followed the development of her thinking through her whole career.
This handbook focuses on the development and nurturance of creativity across the lifespan, from early childhood to adolescence, adulthood, and later life.
The Cambridge Handbook of Creativity and Personality Research will be the definitive resource for researchers, students and academics who study psychology, personality, and creativity.
Descartes + mayoism + confucius + taoism = ideas about managing creative employees. In E. Carayannis & J. J. Chanaron (Eds.), Leading and managing creators, inventors, and innovators: The art, science, and craft of fostering creativity, ...
Michael D. Mumford
The exemplary economy: A Hunterian reading of the creative industries as educative project. ... Organizing identity: Persons and organizations after theory. London: Sage. ... Contemporary identities of creativity and creative work.
In that sense, Stanislav's interests for technical artifacts, and his imagination of what is beyond the given, ... viewers with vivid images of traveling to the moon, seeing earth-rise from the moon, and encountering life on the moon.