Vampires have been a fixture of film since Bela Lugosi brought Bram Stoker’s Dracula to life on the big screen in 1931. Over the decades the genre has been far from static, as vampire narratives changed and evolved with the appetites of their viewing public. First depicted as formally dressed villains, vampires would later be portrayed as supernatural beings with some human characteristics, and still later as sympathetic figures. Focusing on 19 representative films and television productions, this critical study tracks the evolutionary changes of the screen vampire. It explores the factors that cause a genre to change and examines the alternating cycles of audience expectation. The author identifies three distinct modes of depiction: the Malignant Cycle (1931–1948), comprised primarily of the Universal films; the Erotic Cycle (1957–1985), which encompasses Hammer films and popular television shows such as Dark Shadows; and the Sympathetic Cycle (1987–present) including recent offerings such as The Lost Boys, Interview with the Vampire and Buffy the Vampire Slayer. Each film is evaluated in seven key areas including the act of the vampire biting the victim; process of the victim’s infection; physical appearance and demeanor of the vampire and the vampire expert; and the eventual destruction of the vampire. Appendices include a complete filmography of the films examined. Instructors considering this book for use in a course may request an examination copy here.
The film's sequel, New Moon, was released in 2009. In the second film, based on Meyer's second book, Edward and Bella are forced to split, and Bella becomes friends with a new boy, Jacob. She later discovers that Jacob is a werewolf—the ...
This reference examines 372 vampire films from 1896 to 1992. Each entry gives the year of release, production credits, actors, and a synopsis of the film and its importance to...
Joss Whedon, A Creative Portrait: From Buffy the Vampire Slayer to Marvel's The Avengers. New York: I. B. Tauris, 2013. 4318. _____. “A Religion in Narrative: Joss Whedon and Television Creativity.” Slayage: The Online International ...
Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography ...
This book provides an engaging historical survey of the vampire in American popular culture over 100 years, ranging from Bram Stoker's classic novel Dracula to HBO's television series True Blood.
Print and Electronic Sources Sherri L. Brown, Carol Senf, Ellen J. Stockstill. Vieira, Mark A. Hollywood Horror: From Gothic to ... 2 vols. Jefferson, NC: McFarland, 2012. 810 pp. Wetmore, Kevin J. Post-9/11 Horror in American Cinema ...
How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins?
Kane, T. (2006), The Changing Vampire of Film and Television: A Critical Study of the Growth of a Genre, Jefferson, NC: McFarland & Company. Kaplan, E. A. (1983), Women and Film: Both Sides of the Camera, New York, NY: Methuen.
These essays also look at vampire films through lenses of gender, post-colonialism, camp, and otherness as well as the evolution of the vampiric character in cinema worldwide, together constituting a mosaic of the cinematic undead.
The Changing Vampire of Film and Television:A critical study of the Growth of the Genre. Jefferson: McFarland. Kemp, P. S. (2001). Bloodgod. Bracknell: Decapita Publishing. King , S. (1975). 'Salem's Lot (Illustrated ed.).