Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States—and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film’s embrace of DNA, the use of cinematic form to create a non–Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.
Three novels of anarchy, aliens and the popcorn king.
The first limited edition hardcover of all three Drive-In novels, signed by Joe R. Lansdale.
DONALD FARMER! TIM RITTER! JOEL D. WYNKOOP! DOUG STONE! ANDREA ADAMS! GARY WHITSON! DAVE CASTIGLIONE! PHIL HERMAN! ERIC STANZE! JAMES L. EDWARDS! WALTER RUETHER! TODD JASON COOK! NICK MILLARD! DAVID "THE ROCK" NELSON! RON BONK!
Foster, Gwendolyn Audrey. Captive Bodies: Postcolonial Subjectivity in Cinema. Albany: State University ofNew York Press, 1999. Foster, Hal. “Postmodernism: A Preface.” TheAnti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster.
Written by the screenwriter and producer behind Stephen King’s It, and with an introduction by horror icon Wes Craven (A Nightmare on Elm Street), this is a hilarious must-read for any horror movie fan—and it just might save your life ...
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches.
The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.
'80s Horror Movie Anthology.
Acclaimed writer of This is Uncool and Popcorn turns his attention to the (first ever) look at the teen movie Everyone undergoes some kind of teenage trauma, and a fundamental way of coping, or rite of passage, is the teen movie.
Combines in one book the two novels about an alien invasion of a drive-in movie theater in Texas