The Most Dangerous Cinema: People Hunting People on Film

The Most Dangerous Cinema: People Hunting People on Film
ISBN-10
1476613575
ISBN-13
9781476613574
Category
Performing Arts
Pages
296
Language
English
Published
2013-11-01
Publisher
McFarland
Author
Bryan Senn

Description

People hunting people for sport—an idea both shocking and fascinating. In 1924 Richard Connell published a short story that introduced this concept to the world, where it has remained ever since—as evidenced by the many big- and small-screen adaptations and inspirations. Since its publication, Connell’s award-winning “The Most Dangerous Game” has been continuously anthologized and studied in classrooms throughout America. Raising questions about the nature of violence and cruelty, and the ethics of hunting for sport, the thrilling story spawned a new cinematic subgenre, beginning with RKO’s 1932 production of The Most Dangerous Game, and continuing right up to today. This book examines in-depth all the cinematic adaptations of the iconic short story. Each film chapter has a synopsis, a “How Dangerous Is It?” critique, an overall analysis, a production history, and credits. Five additional chapters address direct to video, television, game shows, and almost “dangerous” productions. Photographs, extensive notes, bibliography and index are included.

Other editions

Similar books

  • The Most Dangerous Game
    By Richard Connell

    First published in 1924, this suspenseful tale “has inspired serial killers, films and stirred controversy in schools.

  • Hounds of Zaroff: The Most Dangerous Game As a Persistent Muse to the Movies
    By Michael Price, George Turner

    The book compiles kindred films, remakes, knockoffs, ripoffs, and toss-offs into a 250-page survey -- from the original film, through such famous titles as PREDATOR and THE TEXAS CHAIN SAW MASSACRE, through rank obscurities like WALK THE ...

  • Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema
    By Steven Rybin, Will Scheibel

    The collection also looks at Ray’s lesser-known and underappreciated films, and devotes attention to the highly experimental We Can’t Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton ...

  • Mad, Bad and Dangerous?: The Scientist and the Cinema
    By Christopher Frayling

    take on the film: Thea von Harbou later enthusiastically embraced Nazism; according to her husband Fritz Lang, Hitler and Goebbels loved the movie when they saw it 'in a small town'; and there are sequences of choreo- graphed mob ...

  • The Turn to Gruesomeness in American Horror Films, 1931Ð1936
    By Jon Towlson

    Rhodes, Tod Browning's Dracula, 135. 16. Quoted in Ibid., 141. 17. Riley, Dracula: The Original 1931 Shooting Script, 56. 18. Arthur Lennig, The Immortal Count: The Life and Films of Bela Lugosi (Lexington: The University of Kentucky, ...

  • Jess Franco: The World's Most Dangerous Filmmaker
    By Kristofer Todd Upjohn

    Jess Franco was a Spanish director, cinematographer, writer, composer, editor, producer and actor in more than 150 fiercely independent films he made from 1959 to 2013.

  • Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man
    By Mick LaSalle

    In this book, LaSalle highlights such household names as James Cagney, Clark Gable, Edward G. Robinson, Maurice Chevalier, Spencer Tracy, and Gary Cooper, along with lesser-known ones such as Richard Barthelmess, Lee Tracy, Robert ...

  • Dangerous Knowledge
    By Art Simon

    An intriguing work of cultural criticism on the contemporary meaning and influence of images from the JFK assassination.

  • The Most Dangerous Book: The Battle for James Joyce's Ulysses
    By Kevin Birmingham

    The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933.

  • A Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left
    By Paul Buhle, Dave Wagner

    ... “softness,” he has chosen the Nazi way.12 Sophisticated devotee of T. S. Eliot, John Crowe Ransom, James Burnham's The Managerial Revolution, and E. E. Cummings (all non-left modernists, including some of Polonsky's own favorites), ...