Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.
They also staged plays by non-Iranian playwrights Chekhov, Brecht, Dorfman, and Frayn. They have coproduced plays with Shotgun Players (Berkeley) and Golden Thread Productions (San Francisco). Unlike the former Iranian student ...
This collection of Mansour's outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.
Instructors considering this book for use in a course may request an examination copy here.
This book seeks to unsettle current conversations within Arab American Studies that neglect aesthetics as a set of choices and constraints.
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance.
Anyone who has ever looked for love know the dilemma.
Directed by Stephen Sommers. US: Universal Pictures, Alphaville Films, 1999. ... US: Metro-Goldwyn-Mayer, United Artists, 1976. Never Say Never Again. ... US: Pathe Entertainment, Ufland, Metro-Goldwyn-Mayer, 1991. 1001 Arabian Nights.
In these three works Raffo explores the indelible effects of war on Iraqis, Americans, and the refugees caught between the two cultures.
The volume provides readers with a deeper and more nuanced understanding of millions of Middle Eastern Americans, and how they have contributed to American theatre today.
This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.