The 1970s were turbulent times and the films made then reflected the fact. Vampire movies—always a cinema staple—were no exception. Spurred by the worldwide success of Hammer Film’s Dracula Has Risen from the Grave (1969), vampire movies filled theaters for the next ten years—from the truly awful to bonafide classics. Audiences took the good with the bad and came back for more. Providing a critical review of the genre’s overlooked Golden Age, this book explores a mixed bag from around the world, including The Vampire Lovers (1970), Dracula Versus Frankenstein (1971), Scream, Blacula, Scream (1973), ’Salem’s Lot (1975), Dracula Sucks (1978) and Love at First Bite (1979) and many others.
Filmed in: TODD AO-35. Color: Movielab. Associate Producer: Lee S. Jones, Jr. Director of Photography: William Asman. First Assistant Director/ Production Manager: J. Patrick Kelly III. Second Unit Photography: Tom Spalding.
Note, when Dracula's carriage approaches to pick up Harker (Bosco Hogan), that the lamps look like eyes looming in the darkness. Or savor the flattened landscape when Lucy (Susan Penhaligon, Patrick) walks through the graveyard on a ...
How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins?
Traces the history of vampires in movies and television.
(2012, 36) Weinstock makes this observation with lesbian vampire films from the 1970s; however, it is equally true of the world created in Sheridan Le Fanu's novella Carmilla a hundred years before, as well as Lambert Hillyer's film ...
The Countess turns Royale into a vampire in 1977, a significant period in Royale's life as well as in vampire film history as Creed observes: “The female vampire is a figure who came to prominence in vampire films of the 1970s.
noted by Nina Auerbach, Curtis' Count fits in with other 1970s vampires in being “paragons of emotional complexity and ... Curtis' Van Helsing clearly shows this in the film with a purposeful close-up focusing our attention on his ...
This book provides an engaging historical survey of the vampire in American popular culture over 100 years, ranging from Bram Stoker's classic novel Dracula to HBO's television series True Blood.
Vampire films of the 1970s, occurring at the same moment as other compensatory representations, demonstrate what is at stake in the vampire's particular narrative and iconography and hint at the beginnings of a vampire assimilation.
... The Vampire (Paul Landres, 1957), Mendez's El vampiro, The Return of Dracula (Paul Landres, 1958), The Revenge of Frankenstein (Terence Fisher, 1958), The Mummy (Terence Fisher, 1959), Doctor Blood's Coffin (Sidney J. Furie, 1961), ...