In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name “contact improvisation” was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Instructors considering this book for use in a course may request an examination copy here.
Belmont, California: Brooks Cole Publishing Company. Ekman, Paul. 1980. The Faces of Man. New York: Garland Publishing, Inc. Elder, G., Jr. 1985. Life Course Dynamics: Trajectories and Transitions, 1968–1980. Ithaca, New York: Cornell ...
This third volume of Contact Improvisation's multivoiced evolution is collected from CQ Vol. 33 through 43, including writings from CI Essentials, Editor Notes, Still Moving, CI Newsletter and more.
This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing.
The book includes Q&As between the authors tracing the history of the dance form; photos of dancing and living; life stories; anecdotes from friends, colleagues, and family; and a description of Stark Smith's Underscore.
This collection of essays offers unique insights into contact in dance, by considering the importance of touch in choreography, philosophy, scientific research, social dance, and education.
A conceptual framework for understanding the development of improvised dance in late 20th-century America
This book will guide the reader through a full course of movement skills, including: Partnering skills Spatial awareness for groups and individuals Fine motor control through mime Heightened co-ordination and sustained motion New for this ...
This is the first volume of writings reprinted from Contact Quarterly dance journal concerning the practice of contact improvisation, a dance form initiated by American dancer Steve Paxton in 1972, and now practiced by dancers and movement ...
This practical book promotes creativity that can lead to innovative breakthroughs among students from middle school age through college.
This collection of classic and contemporary writings on dance improvisation brings together 21 essays by prominent dancers, scholars and historians.