American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
History the independent film production and distribution company dedicated to releasing low-budget films packaged as double features, primarily of interest to the teenagers of the 1950s, 1960s, and 1970s.
This is the story of those years told mainly using the material gathered by AIPs New York publicist.
American International released a tide of low-budget, sensationalistic films aimed at the teenage audience, finding its greatest success in the horror genre. This is a comprehensive alphabetical guide to AIP...
In 1984 Mr. McGee wrote (very well--Choice) the acclaimed Fast and Furious, a history of American International Pictures. But, as McGee wrote us in his out of the blue offer...
The complete history of the film studio told mainly using the material gathered by AIPs New York publicist.
The methodology adopted here is based on the auteur theory in its structuralist version by Geoffrey Nowell-Smith and Peter Wollen, and focuses on three areas of interest: work ethic – personal elements in the films, personal control over ...
The Little Studio of Horrors.
Medavoy, Mike, with Josh Young (2002) You're Only as Good as Your Next One: 100 Great Films, 100 Good Films, and 100 ... Merritt, Greg (2000) Celluloid Mavericks: A History of American Independent Film, Thunder's Mouth Press, New York.
From the prestige films of Cagney Productions to recent, ultra-low budget cult hits, such as Clerks and The Blair Witch Project, American independent cinema has produced some of the most...
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