Frederic Remington and the West sheds new light on the remarkably complicated and much misunderstood career of Frederic Remington. This study of the complex relationship between Remington and the American West focuses on the artist’s imagination and how it expressed itself. Ben Merchant Vorpahl takes into account all the dimensions of Remington’s extensive work—from journalism to fiction, sculpture, and painting. He traces the events of Remington’s life and makes extensive use of literary and art criticism and nineteenth-century American social cultural and military history in interpreting his work. Vorpahl reveals Remington as a talented, sensitive, and sometimes neurotic American whose work reflects with peculiar force the excitement and distress of the period between the Civil War and the Spanish-American War. Remington was not a “western” artist in the conventional sense; neither was he a historian: he lacked the historian’s breadth of vision and discipline, expressing himself not through analysis but through synthesis. Vorpahl shows that, even while Remington catered to the sometimes maudlin, sometimes jingoistic tastes of his public and his editors, his resourceful imagination was at work devising a far more demanding and worthwhile design—a composite work, executed in prose, pictures, and bronze. This body of work, as the author demonstrates, demands to be regarded as an interrelated whole. Here guilt, shame, and personal failure are honestly articulated, and death itself is confronted as the artist’s chief subject. Because Remington was so prolific a painter, sculptor, illustrator, and writer, and because his subjects, techniques, and media were so apparently diverse, the deeper continuity of his work had not previously been recognized. This study is a major contribution to our understanding of an important American artist. In addition, Vorpahl illuminates the interplay between history, artistic consciousness, and the development of America’s sense of itself during Remington’s lifetime.
A detailed study of the twenty-two sculptures created by Remington, contrasting authentic lifetime castings with fraudulent examples.
Traces the history of the American West, particularly in terms of pioneer life and Indian relations, through the revealing paintings of Remington
Filled with paintings and sculptures by Western artist Frederic Remington, this young readers' guide to art appreciation is complete with background information about the artist and historical facts.
A collection of Frederic Remington’s writings, complemented by more than one hundred of his famous drawings, provides an exciting record of the Old West as it once was, with tales of cowboys, Indians, and soldiers.
The Western Art of Frederic Remington
Great western artist's eyewitness accounts of his adventures on the frontier.
Ward's sculpture also relies on a marble by the English artistJohn Gibson, The Hunter and His Dog (1847; ... Ward might not have seen Gibson's thenrenowned work in person, but it was prominently reproduced in line engravings.
From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color ...
This generously illustrated volume is the first to examine the exceptional collection of his works housed at the Frederic Remington Art Museum in Ogdensburg, New York.
Buffalo Bill Historical Center , Cody , Wyoming Gift of Mrs. Henry H.R. Coe ( 17.71 ) The Indian's spear creates the plane of movement in this piece , thrusting forward on a diagonal axis . The bronze is shaped like wave crests to ...