“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
The author presents a history of country music and details the evolution of the genre, from its early rural beginnings in the South to its emergence into the national culture.
Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and...
This is your source for the best in country shows, festivals, halls of fame, shops, and curiosities, including Nashville, Branson, and Pigeon Forge; the hometowns of Patsy Cline, Elvis Presley, Minnie Pearl, Hank Williams, Loretta Lynn, ...
Using ethnomusicological tools, Shonekan examines their socio-cultural influences and consequences: the perception of and resistance to hegemonic structures from within their respective constituencies, the definition of national identity, ...
Bill Wol, “For Cisco Houston—the End of the Road”; and Lee Hayes, “Cisco's Legacy,” also in SO! Chapter 10 especially benefited from Whiteside, Ramblin' Rose, plus two of his articles: “Maddox Brothers and Rose: The First Hillbilly ...
who quivered at the sight and sound of Elvis Presley. ... had recently traveled with his father Hank and Presley in package tours, warned his congregation of the evil Elvis. ... I know the evil feeling that you feel when you sing it.
This volume provides an anthology of primary source readings encompassing the history of country music from circa 1900 to the present, offering firsthand insight into the changing role of country music within both the music industry and ...
In Alberta, Canada, k d lang adopted a persona as a punk reincarnation of Patsy Cline and began touring in fringed cowgirl dresses and singing with a voice as powerfully expressive as Cline's. She came to Nashville, recorded an album ...
... 92 , 171 Perot , Ross , 233 Osmond , Marie , 55 , 113 Philadelphia Phillies , 247 " Out of My Head , Back in My Bed , " Phillips , Sam , 112 , 146 , 148–49 , 248 180 Phillips , Stu , 114-15 Overstreet , Paul , 49 , SI Picket Fences ...
Her Country is veteran Nashville journalist Marissa R. Moss’s story of how in the past two decades, country’s women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: ...