In 1996, Patterson Hood recruited friends and fellow musicians in Athens, Georgia, to form his dream band: a group with no set lineup that specialized in rowdy rock and roll. The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes. Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the band’s members have lived in and written about. Tracking the band from Muscle Shoals, Alabama, to Richmond, Virginia, to the author’s hometown in McNairy County, Tennessee, Deusner explores the Truckers’ complex relationship to the South and the issues of class, race, history, and religion that run through their music. Drawing on new interviews with past and present band members, including Jason Isbell, Where the Devil Don’t Stay is more than the story of a great American band; it’s a reflection on the power of music and how it can frame and shape a larger culture.
He’ll manipulate all the ink in the library books to do his bidding, he’ll murder in the stacks, and he’ll bleed into every inch of Tess’s life until his freedom is permanent.
New York Times bestselling author Sabrina Jeffries delights and entertains with this novel of Regency manners and roguish passions -- fifth in her dazzling School for Heiresses series.
POSSIBLE SPOILERS: Genre: Dark, paranormal M/M romance Content: Scorching hot, emotional, explicit scenes Themes: Occult, witchcraft, Slavic superstition and myth, folklore, priest, forbidden love, hurt/comfort, metalhead, little town, ...
By contrast, in The Devil You Don't Know: Recognizing and Resisting Evil in Everyday Life, Cameli, nationally renowned pastoral leader and priest of the Archdiocese of Chicago, paints a challenging, unsettling portrait of the devil as a ...
As a handler, Corine Solomon can touch any object and learn its history.
Young's Folklore Center, open 3 p.m. to midnight, became the hangout for folk music types in the city; ... the price of merchandise after he'd made a sale because he felt sorry for a customeror suspected he couldn't afford the purchase.
And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.
The song opens with a gruesome car wreck—a man with a promising future speeding along the highway to his new life in the city, a perfect day for driving interrupted by an inattentive truck driver—before dwelling on the detritus left ...
. . And Rebecca’s life was shattered. If anyone had a reason to harbor hatred and seek personal revenge, it would be Rebecca. Yet The Devil in Pew Number Seven tells a different story.
Sciarretto and Florino distill years of real-world experience into a practical, step-by-step career guide for anyone who wants to turn a love for music into a full-time job in the highly competitive music industry.