How to Make Art at the End of the World: A Manifesto for Research-Creation
- ISBN-10
- 1478004649
- ISBN-13
- 9781478004646
- Category
- Art
- Pages
- 176
- Language
- English
- Published
- 2019-08-09
- Publisher
- Duke University Press
- Author
- Natalie Loveless
Description
In recent years, the rise of research-creation—a scholarly activity that considers art practices as research methods in their own right—has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In How to Make Art at the End of the World Natalie Loveless draws on diverse perspectives—from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students—to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.
Get the book
Similar books
-
Blue Book of Art Values: Artists & Their Works from Around the World
By William Edwin DayBlue Book of Art Values: Artists & Their Works from Around the World
-
New Deal Art in Alabama: The Murals, Sculptures and Other Works, and Their Creators
By Anita Price Davis, Jimmy S. EmersonPeter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
-
The World of Bob Timberlake
By Bob TimberlakeOffers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesTHE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
-
John Singer Sargent and His Muse: Painting Love and Loss
By Karen Corsano, Daniel WillimanAdelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
-
The Art of the Hollywood Backdrop
By Karen L. Maness, Richard M. IsackesThis is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
-
Chaos and Cosmos: On the Image in Aesthetics and Art History
By Karen LangThrough careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
-
Writing on the Wall: Graffiti and the Forgotten Jews of Antiquity
By Karen B. SternGibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
-
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
By Brooke Kamin Rapaport, Kevin Stayton, Brooklyn Museum of ArtExamines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
-
Typography: A Very Short Introduction
By Paul Luna... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...