In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.
At bedtime, Henry explains to his mother his fear that a cow will come into his third-story city building bedroom window, describing the different ways by which the cow might succeed.
The Henry Cow Book
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Henry Cow: An Analysis of Avant-GardeRock
HENRY COW PERFORMED THIS OLDFIELD SONG LIVE WITH HIM ON BBC 7. EARLY HENRY COW MEMBER WORKED ON ALL BUT ONE ALBUM BY THIS PROJECT 8. CENTIPEDE REUNION WITH THIS KING CRIMSON VIOLINIST 11. HENRY COW MERGED WITH THIS AVANT-POP TRIO FOR 2 ...
... John Plunderphonics Mystery Laboratory Parker, Jeff The Relatives Thrill Jockey Parker, William O'Neal's Porch Aum Fidelity Parker, William Violin Trio Scrapbook Thirsty Ear Parliament Mothership Connection Universal Peacock, ...
Or rather, a master mixer was thrown into the tree in the shape of Mixmaster Morris, a living legend of underground DJ cool, who had limboed in to say hello. It was a Sunday afternoon and the area surrounding the tree house was more of ...
1970 gave us the first Emerson, Lake, and Palmer album (selftitled). Perhaps overindulging Keith Emerson's abilities in places, elsewhere the music is nicely leavened by the contributions of Greg Lake. Emerson, Lake, and Palmer's long ...
His next collaboration was with British trad - jazz bandleader Chris Barber on the celebratory Take Me Back To New ORLEANS ( 1983 ) , and the two later reunited for the live recording Mardi GRAS AT THE MARQUEE ( 1989 ) .
Henry Cow are one of the pillars of what's been labeled the avantprog movement, a style encompassing a wide range of artists, from the Muffins to Guapo, Hamster Theatre, Alamaailman Vasarat, Art Zoyd, Univers Zero, Sleepytime Gorilla ...