"Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."--
I Wish it Were True: A Collaborative Project
This is a study of the cinematic traditions and film practices in the black Diaspora.
In The Film Art of Isaac Julien , by David Deitcher and Isaac Julien , with contributions from Amanda Cruz , edited by David Frankel 103–10 . Annandale - on - Hudson , NY : Center for Cultural Studies . Kandé , Sylvie . 1998.
The history, roots, characteristics, and themes of the black film genre are illuminated in analyses of six films including The Scar of Shame, The St. Louis Blues, and Sweet Sweetback's Baadasssss Song
Black Film As Genre
But is the film racist? Disney historian Jim Korkis does not think so. Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project.
1977. Facing Up to Modernity: Excursions in Society, Politics, and Religion. New York: Basic Books. ———. 1979. The Heretical Imperative: Contemporary Possibilities of Religious Affirmation. Garden City, NY: Anchor Press/Doubleday. ———.
This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.
He is the author of Contesting Identities : Sports in American Film and is currently writing a book on the films of ... and editor ( with Norman K. Denzin ) of Contesting Empire / Globalizing Dissent : Cultural Studies after 9/11 .
Black Representation in American Animated Short Films, 1928-1954