This book is the first intersectionality-mainstreamed textbook written for introductory political science courses.
“A Fly in Milk: Fear and Black (In)visbility in New Spanish Painting.” In Emotions, Art, and Christianity in the Transatlantic World, 1450–1800, edited by Heather Graham and Lauren G. Kilroy-Ewbank, 345–73.
This book uses the tools of the arts, humanities, social sciences, and other fields to address challenges faced by women and girls around the world, both historically and in modern day, with an emphasis on intersectionality.