If you're going to live outside the law, you'd better be honest. This seeming paradox was the operating principle of Sid Probstein's life. Guileless and endlessly optimistic, he was known as Honest Sid around his stomping ground of New York's Broadway. Sid wasn't a tough guy, or even a bad guy. He just never had the patience for the "straight" life, grinding out a living at some monotonous desk job. He was the quintessential American dreamer, always sure that the good life was just one big score away, a man who never stopped believing in his own good luck, even when the evidence said otherwise. He had all the tools, he was charming, good- looking, quick- witted and decent, but he had an obsession he couldn't escape. Honest Sid is the story of an American archetype as seen through the eyes of his son, Ronald, who loved him, and who almost lost him. It follows Sid's adventures in the world of bookies and bettors, fighters and fixers, players and suckers set against the often- romanticized backdrop of Depression- era New York. It is also the passionate tale of the great and tempestuous love between Sid and his wife Sally, and of his son Ronald whom he idolized.
A middle-aged widower, Eaton had recently married Margaret O'Neale Timberlake, the daughter of a Washington tavern keeper. Her first marriage had been to a ...
10 When the funeral party reached Kearney she cried out to Sheriff Timberlake , " Oh , Mr. Timberlake , my son has gone to God , but his friends still live ...
Lt. John Timberlake was smitten, talked her into marrying him, and then was forced to leave his bride for an extended naval voyage.
The supporting cast, including Lionel Barrymore as Jackson, Tone as Eaton, Robert Taylor as Timberlake, and James Stewart as another persistent suitor, ...
Student assistant Corrie E. Ward and faculty secretaries Nina Wells and Susan G. Timberlake provided invaluable assistance .
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According to Robert E. L. Krick of Richmond in an e-mail message, the only likely candidates ... the prison adjutant, and a clerk known only as Timberlake.
Edward A. Bloom ( 1964 ) ; revised in Muir , Shakespeare the Professional ( 1973 ) ... A. W. Pollard ( 1923 ) , 57-112 Timberlake , Philip W. , The Feminine ...
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We'd picked the green tomatoes just before the frost and let them ripen in buckets. Every day we'd sort through them looking for some that were ripe enough ...