MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema
From the moment he arrived at Metro-Goldwyn-Mayer, Gilbert Adrian established himself as a Hollywood fashion force. Believing that costume can mirror a character's mood, he transformed his leading ladies into...
After minor tweaking on the studio's part (for instance, the studio's venerable star, Lewis Stone, replaced Lionel Barrymore as Andy's wise father, Judge Hardy), the franchise was on its way. In all, 17 Andy Hardy films would be made at ...
Complete with a filmography of Irene's designs and full of insightful cameos by stars like Judy Garland, Lana Turner, and others, this is the ideal book for film and costume historians, fashion designers, and fans of Hollywood's Golden Age.
This book is a look at what made MGM the Mount Rushmore of studios, how it presented itself to the world, and how it influenced everything from set design to merchandising to music and dance, and continues to do so today.
Along with the considerable input of the set de- ers and costumers, Edens's hands-on participation accounts for p elements in the Freed style regardless of who directed, and so Jton's and Walters's choreography. he collaboration that ...
Film Comment ¡0, no. 4 (July–August ¡974): 28–29. Hammond, Paul. Marvellous Méliès. London: Gordon Fraser, ¡974. Harmetz, Aljean. The Making of the Wizard of Oz. New York: Alfred A. Knopf, ¡977. Harris, Robert A., and Michael S. Lasky.
His greatest partner was Cat People's cinematographer Nicholas Musuraca, who would collaborate with him again on Out of the Past. Musuraca drenches scenes in darkness but also celebrates light enough to make it sparkle.
... Film Style and Technology, 216. William Stull, “Twentieth Century-Fox Holds Preview for Big Camera,” AC, September 1940, 396–398. Eyman, interview with James Wong Howe, Five American Cinematographers, 76. Leon Shamroy, “The Future of ...
To the company's credit, however, MGM Records did release several hits by Hank Williams—whose biography MGM filmed in 1964 as Your Cheatin' Heart. His son, Hank Williams Jr., found early success with the label as well, and so was also ...
The book also includes interviews with leading production designers and studies of Trainspotting, The English Patient and Caravaggio.