This first biography of Susan Sontag (1933-2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer's life and career. The authors base this revision on Sontag's newly released private correspondence--including emails--and the letters and memoirs of those who knew her best. The authors reveal as never before her early years in Tucson and Los Angeles, her conflicted relationship with her mother, her longing for her absent father, and her precocious achievements at the University of California, Berkeley, and the University of Chicago. Papers, diaries, and lecture notes, many accessible for the first time, spark a passionate fire in this biography. The authors follow Sontag as she abruptly ends an early first marriage, establishes herself in Paris, and embraces the open lifestyle she began as a teenager in Berkeley. As a single mother she struggled with teaching at Columbia University and other colleges while aiming for a career as a novelist and essayist. Eventually she made her own way in New York City after acquiring her one and only publisher, Farrar, Straus & Giroux. In her later years Sontag became a world figure, a tastemaker, dramatist, and political activist who risked her life in besieged Sarajevo. Love affairs with men and women troubled her. Diagnosed with cancer, she responded with determination, and her experience with illness inspired some of her best writing. This biography shows Sontag always craving "more life" at whatever cost and depicts her harrowing final decline even as she resisted terminal cancer. Susan Sontag: The Making of an Icon, Revised and Updated presents in candid and stark relief a new assessment of a heroic and controversial figure.
Public mythsof evil are framed by theprivate mythologies of innocence, developed in two earlier films, Ludwig (1972,two hours twenty minutes) andKarl May—In Search ofParadise Lost(1974, three hours), which Syberberg treatsas the first ...
" Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes.
From the author of The Friend, winner of the 2018 National Book Award.
Winner of the National Book Critics' Circle Award for Criticism.
WHAT TO DO with such knowledge as photographs bring of faraway suffering? People are often unable to take in the sufferings of those close to them. (A compelling document on this theme is Frederick Wiseman's film Hospital.) ...
Includes the full-texts of four works from the author, political activist and feminist including Against Interpretation, Styles of Radical Will, On Photography and Illness as Metaphor.
In Regarding the Pain of Others Susan Sontag takes a fresh look at the representation of atrocity-from Goya's The Disasters of War to photographic documents of the American Civil War, lynchings of blacks in the South, and the Nazi death ...
Over the summer and fall of 1978, Susan Sontag engaged in a series of deeply stimulating, provocative and intimate conversations with Jonathan Cott of Rolling Stone magazine.
While Adler favored Lamarck over Darwin because the former's teleology supported his own evolutionist optimism , * Freud's version had a consistently gloomy cast . What appealed to Freud was not its teleological verve but the near ...
Her living was the embodiment of scandal. In this collection, Terry Castle, Nancy K. Miller, Wayne Koestenbaum, E. Ann Kaplan, and other leading scholars revisit Sontag's groundbreaking life and work.