Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled “Hollywood Ten.” Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.
Chris Fujiwara's critical biography--the first in more than thirty years--follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.
The Cinema of Otto Preminger
The process of telling this story began in 2003 when Arnie Reisman and Nat Segaloff thought it might be interesting to write a play about Preminger's efforts to get a Code seal for his 1954 romantic comedy The Moon is Blue, based on F. Hugh ...
Behind the Scenes of Otto Preminger: An Unauthorised Biography
Behind the Scenes of Otto Preminger: An Unauthorized Biography
"With the same candor that has characterized his life, Otto Preminger--actor, director, producer, and now writer--exposes himself (in writing) as well as an impressive line-up of show business folk in...
... Film Quarterly 18 , no . 4 , 19 ( fall 1990 ) , 277-78 . Laffel , Jeff . " Sylvia Sidney . " Films in Review 45 ... 1992 ) , 3-4 . Sayre , Nora . " Fritz Lang's Dr. Mabuse Stalks the Screen . " New York Times , 3 January 1993 , sec . 2 ...
The thing with Clift was the same as having a man play Jimmy Stewart's part in Rear Window saying to me, “I don't think I'd look over there.” Well, you'd have no picture—no picture at all. Also, Anne Baxter was completely miscast.
Best book on Otto Preminger, Bar None. This book is your ultimate resource for Otto Preminger. Here you will find the most up-to-date 137 Success Facts, Information, and much more.
My G-String Mother is a stylish, incisive portrait of two lives: an awkward adolescent who was as much confidante, co-conspirator, and companion as son, and the legendary woman who told police at a raid at the famous Minsky’s burlesque ...