Film plays a vital role in the celebration of Christmas. For decades, it has taught audiences about what the celebration of the season looks like – from the decorations to the costumes and to the expected snowy weather – as well as mirrors our own festivities back to us. Films like It’s a Wonderful Life and Home Alone have come to play key roles in real-life domestic celebrations: watching such titles has become, for many families, every bit as important as tree-trimming and leaving cookies out for Santa. These films have exported the American take on the holiday far and wide and helped us conjure an image of the perfect holiday. Rather than settling the ‘what is a Christmas film?’ debate – indeed, Die Hard and Lethal Weapon are discussed within – Analyzing Christmas in Film: Santa to the Supernatural focuses on the how Christmas is presented on the deluge of occasions when it appears. While most Christmas films are secular, religion makes many cameos, appearing through Nativity references, storylines involving spiritual rebirth, the framing of Santa as a Christ-like figure and the all-importance of family, be it the Holy family or just those gathered around the dining table. Also explored are popular narratives involving battles with stress and melancholy, single parents and Christmas martyrs, visits from ghosts and angels, big cities and small towns, break-ups and make-ups and the ticking clock of mortality. Nearly 1000 films are analyzed in this volume to determine what the portrayal of Christmas reveals about culture, society and faith as well as sex roles, consumerism, aesthetics and aspiration.
Drawing on interviews with directors, producers, special effects artists, photographers and actors, this book celebrates the sordid, colorful history of the Christmas horror subgenre.
... Salzburg Cathedral, and Schönbrunn Palace, as well as at Universal Studios, it is a handsome– looking film (see Figure 2.5), complemented by a good-humoured Henry Mancini soundtrack. Unsurprisingly, the storyline plays fairly fast ...
This title explores the creative works of famous director Tim Burton.
... Christmas Special (1988), Pee-Wee's yoyo “breaks the lens” of the camera filming him, a self-reflexive device more common to high modernist filmmaking than a children's TV show. While it is perhaps easy to see a postmodern aesthetic at ...
Variety, May 18. Accessed September 30, 2018 from https://variety. com/2017/tv/reviews/tv-movie-review-dirty-dancing-abc-1202430883/ Satern, Mark. 1994. Mark Satern's Illustrated Guide to Video's Best 1995 Winter. Phoenix: Satern Press.
Yet the imperative to tolerate faith in the world today is a challenging one and requires a willingness to negotiate and seek compromises in contexts where this kind of negotiation seems self - contradictory and impossible .
Differentiated book- It has a historical context with research of the time-This book contains a historical context, where past events or the study and narration of these events are examined.
She contributed to Savoring Gotham: A Food Lover's Companion to New York City as well as We Eat What? A Cultural Encyclopedia of Unusual Foods in the United States. She has done numerous book reviews and contrib- uted to the Sage ...
The term "slasher film" was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as "stalker," "psycho" or "slice-'em-up.
Philadelphia: University of Pennsylvania Press, . Projansky, Sarah. ... Emotion Marketing: The Hallmark Way of Winning Customers for Life. ... “There's a Reason You See the Same Women in All Those Hallmark Christmas Movies.