Why does music have such a powerful effect on our minds and bodies? It is the most mysterious and most tangible of all forms of art. Yet, Anthony Storr believes, music today is a deeply significant experience for a greater number of people than ever before. In this book, he explores why this should be so. Drawing on a wide variety of opinions, Storr argues that the patterns of music make sense of our inner experience, giving both structure and coherence to our feelings and emotions. It is because music possesses this capacity to restore our sense of personal wholeness in a culture which requires us to separate rational thought from feelings that many people find it so life-enhancing that it justifies existence.
Blending exciting scientific concepts with an Eastern sense of destiny, this book takes the reader on a journey into consciousness and provides convincing answers to unanswerable questions about life, death, and beyond.
In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the ...
There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions.
This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music.
Kassel, Germany: Bärenreiter. Twain, M.A. (1876). A literary nightmare. Atlantic Monthly, 37, 167–170. Tyack, P.L., & Sayigh, L. S. (1997). Vocallearning in cetaceans. In C.T. Snowdon & M. Hausberger (Eds.), Social Influences on Vocal ...
As you read this book you will begin to see music as a biological human need, an incredible vehicle for enhancing intelligence, and a means to connecting and uniting people around the world.
... Vaughan Williamssoakedup model folk melodies from rural Britain; at some point, 'Moorish' dances became Morris dancing, hence theexotic costumes. In 1987, the composer George Benjamin heard people playing Peruvianflutesoutside the ...
Bigand , E. ( 1990 ) Abstraction of two forms of underlying structure in a tonal melody . Psychology of Music , 19 , 45-59 . ... Dowling , W.J. ( 1982 ) Melodic information processing and its development .
Heaton, P. 2003. Pitch memory, labeling, and disembedding in autism. Journal of Child Psychiatry and Psychology, 44, 543–551. Heaton, P., Hermelin, B., and Pring, L. 1988. Autism and pitch processing: A precursor for savant musical ...
No matter your instrument or level of musical ability, this book will reveal to you a new dynamic appreciation for the mind’s creative power.