Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
With Marion Swayne, Pell Trenton, Charles Hal— ton, Kirke Brown, Ethel Stanard, Yolande Doquette, and Martin Hayden. William Allatt provides the following information as to Upton Sinclair 's involvement in this film.
This fascinating memoir of influential French filmmaker Alice Guy Blaché features a new foreword and provides original insight into one of the industry’s most important pioneers.
Mara Rockliff tells the story of a girl who grew up loving stories and became an acclaimed storyteller and an inspiration in her own right.
A listing of the films of Alice Guy Blaché divided into 3 sections: her early years in France (1896-1907), the Solax years in the United States (1910-1913), and after Solax (1914-1920).
... Getty Images Emma Thompson: Terry O'Neill/Iconic Images/Getty Images Ruth E. Carter: J. Countess/Contour by Getty ... Crawford: Courtesy of Sophia Crawford Ann Roth: Michel Boutefeu/Getty Images Jessica Yu: J. Vespa/WireImage for ...
This is the story of Alice Guy Blaché, the world's first female film director, and Gustave Eiffel.
Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia.
McMahan, Alison. Alice Guy-Blaché. Lost Visionary of the Cinema. New York: Bloomsbury Academic, 2003. Miller, James Andrew, and Tom Shales. Live from New York. New York: Back Bay Books, 2015. Moore, Mary Tyler.
This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences--but whose names have been left out of most film ...
In Cupboards of Curiosity Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera.