By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear. This book features new interviews with all four members of Fugazi and members of their creative community.
KEEP YOUR EYES OPEN: The Fugazi Photographs of Glen E. Friedman will be released by Burning Flags Press exactly 20 years later, on September 3, 2007.
With insights from friends and unprecedented help from the mythological maniac himself - whose sermon and pop sensibilities continue to polarize - this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and ...
The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an ...
Sweet. Lickin'. Honey. Babes: Just Gobblehoof, Cordelia's Dad, and Nirvana were the big fish. So basically, the folks putting on the show had most of the Hampshire bands that were active on that bill. It would have been practically ...
Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.
Ruth Schwartz resigned from her job at Rough Trade and soon started Mordam Records . Jeff Nelson reported that Dischord sells to about 40 stores direct but this is only 20 percent of sales . Another 5 percent are individual mail order ...
This book looks at crucial albums by bands like Fugazi, Jawbox, Chisel, Unrest, Velocity Girl, and the Dismemberment Plan, using interviews with the artists to explore the abundance of smart, innovative rock and pop coming out of D.C. ...
America's premiere alternative music magazine presents a book of outrageously opinionated reviews of the essential albums of punk, new wave, indie rock, grunge, and rap. Its abundantly illustrated, full-color pages...
from the Air Force in the early '70s, the Hudson family settled in a Maryland suburb just across the line from Southeast DC. Paul Hudson was an outstanding athlete and a creative thinker, but his free-spirited approach brought him into ...
One of the most beloved cult novels of our time and a landmark of trans literature, Imogen Binnie’s Nevada is a blistering, heartfelt, and evergreen coming-of-age story, and a punk-smeared excavation of marginalized life under capitalism.