While Israel has seemingly been a minor presence in Hollywood cinema, Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of articulating an idealized notion of American national identity. This argument is developed through readings of The Ten Commandments (Cecil B. DeMille, 1956), Ben-Hur: A Tale of the Christ (William Wyler, 1959), Exodus (Otto Preminger, 1960), Cast a Giant Shadow (Melville Shavelson, 1966), Black Sunday (John Frankenheimer, 1977), The Delta Force (Menahem Golan, 1986), and Munich (Steven Spielberg, 2005). The mobilization of Israel that pervades this eclectic group of films effectively demonstrates one of the more surreptitious ways in which Hollywood has historically constructed and circulated dominant notions of American national identity. Moreover, in examining the most notable Hollywood representations of the Jewish state, the book offers an informed historical overview of the cultural forces that have contributed to popular understandings within the United States of the state of Israel, Israel's Arab neighbours, and also the Arab-Israeli conflict.
A rumored Pedro goes missing so completely it's as if he were never there. In Pedro's Theory Marcos Gonsalez explores the lives of these many Pedros, real and imagined.
Examines the various representations of Israel produced by the Hollywood system, and explores the ways in which these films have functioned to construct and circulate an idealized conception of American national identity
Chairman Arafat participated by reimagining the Promised Land as space now infused with hope: “Our two people are awaiting today this historic hope, and they want to give peace a real chance.” Justice also becomes a substance for this ...
“Reimagining the Dawn Settlement.” Promised Land Project discussion paper, 2008. Carter, Marie, and Jeffrey Carter. Stepping Back in Time: Along Dresden's Trillium Trail in Dresden. Dresden: Catherine McVean Chapter IODE, ...
Not Quite Bible Stories: Volume I is a comical rewrite of the stories from the first few books of the Bible spanning from the creation of the world and the first humans through Noah and the flood, the Tower of Babel, Abraham and the ...
This book is a tremendous gift to anyone who is taking a journey of the soul, seeking to escape internal slavery and make it to the promised place where suffering is no more." —Marianne Williamson, teacher and author of Tears to Triumph ...
Several of the essays, including Marie Carter's “Reimagining the Dawn Settlement,” in The Promised Land: History and Historiography of Black Experience in Chatham Kent's Settlements and Beyond, ed.
... Ella Baker, and Martin Luther King Jr. Certainly, Dr. King's “I See the Promised Land” conjured a rhetorical location and historical covenant for God's people. To reimagine is to reexamine the ontology of the Black experience.
In fact, for many people it feels impossible. It might even look impossible. Despite our feelings and perspectives, though, it is still absolutely, undeniably true: you are living on the edge of incredible.
With words important enough to her that she would repeat them in Minnie's Sacrifice, Harper sought to level class divisions by arguing that “every gift, whether gold or talent, fortune or genius” must “subserve the cause of crushed ...