The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for firmer markers of identity. The book argues that a compelling case can be made for re-orienting the study of contemporary European cinema around the figure of the migrant viewed both as a symbolic figure (representing post-national citizenship, urbanization, the 'gap' between ethics and justice) and as a figure occupying an increasingly central place in European cinema in general rather than only in what is usually called 'migrant and diasporic cinema'. By drawing attention to the structural and affective affinities between the experience of migrants and non-migrants, Europeans and non-Europeans, Trifonova shows that it is becoming increasingly difficult to separate stories about migration from stories about life under neoliberalism in general
Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and ...
An illuminating investigation on the depiction of madness from early horror films of the 20s and 30s to the proliferation of today's conspiracy thrillers.
The book examines the intersection of art history with history in cinema; cinema's simultaneous affirmation and denigration of the idea of art as "truth"; the dominant, often contradictory ways in which artists have been represented on ...
In Finding the Foreign, edited by Robert Schechtman and Suin Roberts, 13–32. Newcastle: Cambridge Scholars Publishing, 2007. Loshitsky, Yosefa. Screening Strangers: Migration and Diaspora in Contemporary European Cinema.
In The Cinema of North Africa and the Middle East, edited by Gönül Dönmez-Collin. London and New York: Wallflower Press. Berghahn, Daniela, and Claudia Sternberg. 2010a. “Introduction.” In European Cinema in Motion, edited by Daniela ...
British Labour and higher education, 1945–2000: ideologies, policies and practice. London: Continuum. The Pearl, Newcastle. http://www.thepearlnewcastle.co.uk/. Accessed 18 July 2017. Vincent, Andrew. 1995. Modern political ideologies.
In an age of globalization and increased migration, this book theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism and translation.
The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context.
This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe.
CHAPTER 6 The Trauma of (Post)Memory: Women's Memories in Holocaust Cinema Ingrid Lewis DEFINITIONS Holocaust The ... Women's Memories in the Holocaust Cinema of the New Millennium, published in: Women in European Holocaust Films: ...