In eighteenth-century England, the encounter between humans and other animals took a singular turn with the discovery of the great apes and the rise of bourgeois pet keeping. These historical changes created a new cultural and intellectual context for the understanding and representation of animal-kind, and the nonhuman animal has thus played a significant role in imaginative literature from that period to the present day. In Homeless Dogs and Melancholy Apes, Laura Brown shows how the literary works of the eighteenth century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, affording a uniquely flexible perspective on difference, hierarchy, intimacy, diversity, and transcendence. Writers of this first age of the rise of the animal in the modern literary imagination used their nonhuman characters—from the lapdogs of Alexander Pope and his contemporaries to the ill-mannered monkey of Frances Burney's Evelina or the ape-like Yahoos of Jonathan Swift—to explore questions of human identity and self-definition, human love and the experience of intimacy, and human diversity and the boundaries of convention. Later literary works continued to use imaginary animals to question human conventions of form and thought. Brown pursues this engagement with animal-kind into the nineteenth century—through works by Mary Shelley, Charles Dickens, and Elizabeth Barrett Browning—and into the twentieth, with a concluding account of Paul Auster's dog-novel, Timbuktu. Auster's work suggests that—today as in the eighteenth century—imagining other animals opens up a potential for dissonance that creates distinctive opportunities for human creativity.
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
The Technology of Dog Breeds and The Aesthetics of Modern Human-Canine Relations Martin Wallen. turning their blood sport into the execution ... Brown, Homeless Dogs and Melancholy Apes, 65. 8. Brown, Homeless Dogs and Melancholy Apes, ...
Brown, Homeless Dogs and Melancholy Apes, 90–111. The meaning of the Prioress's place in a social order in relation to this trope can be understood against the backdrop of aristocracy as a major topic in Dinesen's authorship, ...
His most recent work is Poetry and Animals: Blurring the Boundaries with the Human, published by Columbia University ... Her recent monographs include Shakespeare and Posthumanist Theory (2018) and Animal Bodies, Renaissance Culture ...
3; Daniel Carey, “An Empire of Credit: English, Scottish, Irish, and American Contexts,” in The Empire of Credit: The Financial Revolution in the British Atlantic World, 1688–1815, ed. Daniel Carey and Christopher J. Findlay (Dublin: ...
Laura Brown, Homeless Dogs and Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination (Ithaca, NY: Cornell University Press, 2010), 19–20. 30. Coventry, The History of Pompey the Little, ...
In this Handbook, Karen Raber and Holly Dugan delve deep into Shakespeare’s World to illuminate and understand the use of animals in his span of work.
Forster, E. M. Aspects of the Novel. New York: Harcourt, Brace, 1927. Forster, Michael N. Herder's Philosophy. Oxford: Oxford University Press, 2018. Foucault, Michel. Abnormal: Lectures at the Collège de France, 1974–1975.
This book is the perfect starting point for any student wishing to study emotions in early modern Europe.
2011. How Abnormal is the Behaviour of Captive, Zoo-Living Chimpanzees? PLoS ONE 6 (6): 1–7. Brown, Laura. 2010. Homeless Dogs and Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination.