Fables of Modernity expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. Laura Brown shows how cultural fables arise from material practices in eighteenth-century England. These fables, the author says, reveal the eighteenth-century origins of modernity and its connection with two related paradigms of difference—the woman and the "native" or non-European. The collective narratives that Brown finds in the print culture of the period engage such prominent phenomena as the city sewer, trade and shipping, the stock market, the commercial printing industry, the "native" visitor to London, and the household pet. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centers, the national consequences of global expansion, the volatility of credit, the transforming effects of capital, and the domestic consequences of colonialism and slavery.
A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?
Jamesonâe(tm)s controversial reading of one of the great twentieth-century writers.
Porter, Roy, ed. Rewriting the Self: Histories from the Renaissance to the Present. London: Routledge, 1997. Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge, 1992. Pratt, Stephanie.
Brown shows how the literary works of the 18th century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, difference, hierarchy, intimacy, diversity, and ...
Liu, Kang. “Is There an Alternative to (Capitalist) Globalization? The Debate about Modernity in China.” In The Cultures of Globalization, ed. Fredric Jameson and Masao Miyoshi, 164–88. Durham, N.C.: Duke University Press, 1998.
Performers such as Mamie Smith, Ma Rainey, Alberta Hunter, Clara Smith, and Bessie Smith toured extensively across the United States and would often be featured in city clubs with a backing ensemble band.
Palmer (Human Cargoes, 103–109) suggests that the numbers were 1,530 in 1715; 2,493 in 1716; 2,946 in 1717; and, finally, 3,709 in 1718. Donnan and Palmer base their numbers on the company's records, which include information about the ...
Sarah Scott's Millenium Hall focuses on this idea , expanding the role filled by Madame Du Maine in her earlier novel to make the widow and her benevolence central to the narrative . Mrs. Morgan , a widow , and the other ladies of the ...
This is a great book."--Rahul Mehrotra, RMA Architects and Massachusetts Institute of Technology "This fabulous book is lively and engaging, as well as profound and important.
A Critical Edition of the Eighteenth-century Vocal Settings John Metz, Jean de La Fontaine. A vaudeville was any song whose melody had long ... As Anthony has pointed out , it required talent to make a good match between text and tune .