The first in-depth exploration of the persistence and pervasiveness of a dangerous legal fiction about people who cross borders: the binary distinction between migrant and refugee. Today, the concept of "the refugee" as distinct from other migrants looms large. Immigration laws have developed to reinforce a conceptual dichotomy between those viewed as voluntary, often economically motivated, migrants who can be legitimately excluded by potential host states, and those viewed as forced, often politically motivated, refugees who should be let in. In Crossing, Rebecca Hamlin argues against advocacy positions that cling to this distinction. Everything we know about people who decide to move suggests that border crossing is far more complicated than any binary, or even a continuum, can encompass. The decision to leave home is almost always multi-causal and often involves many stops and hazards along the way--a reality not captured by a system that categorizes a majority of border-crossers as undeserving, and the rare few as vulnerable and needy. Drawing on cases of various "border crises" across Europe, North America, South America, and the Middle East, Hamlin outlines major inconsistencies and faulty assumptions upon which the binary relies, and explains its endurance and appeal by tracing its origins to the birth of the modern state and the rise of colonial empire. The migrant/refugee binary is not just an innocuous shorthand, indeed its power stems from the way in which is it painted as objective, neutral, and apolitical. In truth, the binary is a dangerous legal fiction, politically constructed with the ultimate goal of making harsh border control measures more ethically palatable to the public. This book is a challenge to all those invested in the rights and study of migrants, to interrogate their own assumptions and move towards more equitable advocacy for all border crossers.
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
From the New York Times Bestselling author of A Hell of a Book, A READ WITH JENNA TODAY SHOW BOOK CLUB PICK!
An essential novel by any measure, and the transfixing middle passage of Cormac McCarthy's ongoing trilogy, The Crossing is luminous and appalling, a book that touches, stops, and starts the heart and mind at once.
“Cisco?” Bosch called. The man stopped and turned back to see who had called out. Bosch caught up to him. “You're Cisco, right?” “Maybe. Who are you?” “Harry Bosch. Mickey Haller's—” “Investigator. Yeah, you took my job.
Claudia Campbell and Casio Hightower are haunted by an assault by a gunman ten years earlier, and when Claudia's husband, Victor, the assistant district attorney, starts investigating the case, Casio is determined to help him.
... 1998 ) , 37-45 ; James A. Henretta , The Evolution of American Society , 1700-1815 ( Lexington , 1973 ) , 41ff . 21. William Howe to George Germain , 26 April 1776 , Historical Manuscripts Commission , Manuscripts of Mrs. Stopford ...
Forging a deep friendship with a Wampanoag chieftain's son on the Great Harbor settlement where her minister father is working to convert the tribe, Bethia follows his subsequent ivy league education and efforts to bridge cultures among the ...
Crossing is the story of Deirdre McCloskey (formerly Donald), once a golden boy of conservative economics and a child of 1950s and 1960s privilege, and her dramatic and poignant journey to becoming a woman.
The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.
'The Crossing is like a river in full spate: beautiful and dangerous' The Times This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.