A brilliant and provocative exploration of the interconnection of private life and the large-scale horrors of war and devastation. A Pulitzer Prize and National Book Critics Circle Award finalist, and a winner of the Bay Area Book Reviewers Association Award, Susan Griffin’s A Chorus of Stones is an extraordinary reevaluation of history that explores the links between individual lives and catastrophic, world-altering violence. One of the most acclaimed and poetic voices of contemporary American feminism, Griffin delves into the perspective of those whose personal relationships and family histories were profoundly influenced by war and its often secret mechanisms: the bomb-maker and the bombing victim, the soldier and the pacifist, the grand architects who were shaped by personal experience and in turn reshaped the world. Declaring that “each solitary story belongs to a larger story”—and beginning with the brutal and heartbreaking circumstances of her own childhood—Griffin examines how the subtle dynamics of parenthood, childhood, and marriage interweave with the monumental violence of global conflict. She proffers a bold and powerful new understanding of the psychology of war through illuminating glimpses into the personal lives of Ernest Hemingway, Mahatma Gandhi, Heinrich Himmler, British officer Sir Hugh Trenchard, and other historic figures—as well as the munitions workers at Oak Ridge, a survivor of the Hiroshima bombing, and other humbler yet indispensible witnesses to history.
Discusses how private life--family history, childhood experience, gender and sexuality, private aspiration and public image--assume a role in the causes and effects of war.
Turner, James Grantham, ed. Sexuality and Gender in Early Modern Europe. Institutions, Texts, Images. Cambridge, UK: Cambridge University Press, 1993. Valois, Thirza. Around and About Paris.
In my own family as well, though, along with English ancestors, we had Scotch, Irish, Welch, French, and German progenitors too, a preternaturally strong pull toward British tradition persisted. I remember the slightly awed tone ...
This is the meaning that Susan Sontag finds in the meaninglessness of The Story of O. She writes that “O progresses simultaneously toward her own extinction as a human being and her fulfillment as a sexual being.
This inspired collection offers a new paradigm for moving the world beyond violence as the first, and often only, response to violence.
Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.
... 362-63 The Dark Stuff (Kent), 270 Davies, Cyril, 6 Davis, Angela, 225 Davis, Miles, 327, 356 Davis, Sammy, Jr., 234 Davis, Stephen, 179 Dawson, Julian, 358 "A Day in the Life," 116, 291 De Beauport, Pierre, 361 Decca Records, 18-19, ...
Alongside her own story, Griffin weaves in her fascinating interpretation of the story of Marie du Plessis, popularized as the fictional Camille, an eighteenth-century courtesan whose young life was taken by tuberculosis.
Selecting all the major poetry from her more than thirty years of publishing, Susan Griffin demonstrates once again why she is a major force in American letters. In poems ranging...
The remarkable, intimate story of an ordinary woman who lived the dream of millions—to be part of rock royalty’s inner circle—Miss O’Dell is a backstage pass to some of the most momentous events in rock history.