Poignant remembrances and sharp observations from the “most able and witty” Pulitzer Prize–winning author of Foreign Affairs (The New York Times). This engaging new collection of essays from the New York Times–bestselling novelist gathers together her reflections on the writing life; fond recollections of inspiring friends; and perceptive, playful commentary on preoccupations ranging from children’s literature to fashion and feminism. Citing her husband’s comment to her that “Nobody asked you to write a novel,” Lurie goes on to eloquently explain why there was never another choice for her. She looks back on attending Radcliffe in the 1940s—an era of wartime rations and a wall of sexism where it was understood that Harvard was only for the men. From offering a gleeful glimpse into Jonathan Miller’s production of Hamlet to memorializing mentors and intimate friends such as poet James Merrill, illustrator Edward Gorey, and New York Times Book Review coeditor Barbara Epstein, Lurie celebrates the creative artists who encouraged and inspired her. A lifelong devotee of children’s literature, she suggests saying no to Narnia, revisits the phenomenon of Harry Potter, and tells the truth about the ultimate good bad boy, Pinocchio. Returning to a favorite subject, fashion, Lurie explores the symbolic meaning of aprons, enthuses on how the zipper made dressing and undressing faster—and sexier—and tells how, feeling abandoned by Vogue at age sixty, she finally found herself freed from fashion’s restrictions on women. Always spirited no matter the subject, Lurie ultimately conveys a joie de vivre that comes from a lifetime of never abandoning her “childish impulse to play with words, to reimagine the world.”
Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord. Contributors.
An Introduction to the Present Volume I. Possible Worlds Possible worlds have turned out to be useful in the semantics of ... framework implied by some system of philosophical logic is made in various contributions to this volume .
The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism.
In From Words to Worlds, constitutional scholar Beau Breslin corrects this glaring oversight, singling out the essential functions that a modern, written constitution must incorporate in order to serve as a nation’s fundamental law.
The book explores what happens when we introduce students to the words of a broad spectrum of American scholars, writers, and artists and then invite them to examine, debate, and negotiate the ideas presented.
Joseph Campbell's groundbreaking 1927 meditations on James Joyce's Ulysses are published for the first time, revealing fascinating secrets that will delight both Campbell and Joyce fans, including writings, lectures, and other commentaries ...
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time.
Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy.
S. L. Greenslade, 38–93 (Cambridge: Cambridge University Press, 1963); Rekers, Benito Arias Montano, ch. ... Montano's and Plantin's correspondences concerning the Polyglot are published in “Correspondencia del doctor Arias Montano con ...
This wide-ranging volume explores how gender and language are used and transformed to discuss, enact, and project social differences in light of global economic and political changes in the late nineteenth, twentieth, and early twenty-first ...