The first edition of this book in 2002 was the first UK text to examine digital copyright together with related areas such as performers' rights, moral rights, database rights and competition law as a subject in its own right. Now in its fifth edition, the book has been substantially updated and revised to take account of legal and policy developments in copyright law and related areas, the new UK copyright exceptions, recent CJEU cases, the regulation of Collective Management Organisations, orphan works, and developments in EU copyright legislation and the EU's Digital Single Market Strategy. It also contains new sections on big data and data mining, the impact of artificial intelligence and blockchain on copyright, and the future for UK copyright after Brexit. The book helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology, whether in academia, the software, information, publishing and creative industries, or other areas of the economy. The focus of Digital Copyright is on the specifics of the law in this area together with practical aspects. Both academics and practitioners will find the book an invaluable guide to this ever-expanding field of law. Review of Previous Edition: 'Overall, Digital Copyright is well worth the relatively modest price for a book that will be stimulating for anyone who has to think about copyright in the digital realm.' Francis Davey, Journal of Intellectual Property Law and Practice
30 Emmanuelle Saliba and Devon Maloney, “Trent Reznor, Amanda Palmer, OK Go Among Artists Cosigning Anti—SOPA/PIPA Open Letter,” Billboard, January 19, 2012, http://www. billboard.com/news/trent— reznor— amanda— palmer— ok— go— among— ...
This comprehensive, book is crucial reading for lawyers, policymakers and academics. This book is the first comprehensive exploration of the legal framework of EU digital copyright law from the perspective of the ‘end-user’.
Copyright in the Digital Era: Building Evidence for Policy examines a range of questions regarding copyright policy by using a variety of methods, such as case studies, international and sectoral comparisons, and experiments and surveys.
. . This book, which has a structure that flows with concinnity and concision, makes it easy to navigate some of the most complicated and controversial issues.
In The Digital Rights Movement, Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership.
Best Practices in Data Cleaning: A Complete Guide to Everything You Need to Do Before and After Collecting your Data. Thousand Oaks, CA: Sage. 38. ... Dispute Prevention and Settlement through Expert Determination and Dispute Boards.
However, despite strong support for the Agreement on the part of the entertainment industry, heavily involved in both drafting and lobbying for the ratification of the Agreement (see MacKinnon 2012, pp.
This book was first published in 2005. Copyright 'exceptions' or 'users' rights' have become a highly controversial aspect of copyright law.
... Exceptions (2002) Smolla, Rodney, A & Nimmer, Melville B. Smolla & Nimmer on Freedom of Speech (Thomson-West 2008) SMOLLA & NIMMER, FREEDOM OF SPEECH (2008) Sobel, Lionel S. Copyright and the First Amendment: A Gathering Storm?, ...
McKenzie, G. and Cochrane, G. (2009) 'Paul McCartney: Pirate Bay verdict “fair”, BBC Newsbeat, 20 April. Available at: http://news.bbc.co.uk/newsbeat/hi/music/newsid 8007000/8007950.stm McLeod, K. (2001) Owning Culture: Authorship, ...